Showbits

As a geek, I may surprise you by not being beholden to the latest and greatest technology. In addition to cell phones and tablet computers, I'm not yet convinced of the need for Blu-ray DVDs. Their improvement over standard definition seems minimal, especially when a good BD player will upscale existing DVDs to take some advantage of a 1080p display.

However, it's hard for me to ignore the differences between the standard and high definition editions of a show like Star Trek. Having already remastered The Original Series (TOS) for Blu-ray, Paramount and CBS are now turning to The Next Generation (TNG). I hoped this announcement would not undermine my fairly recent investment in all seven seasons of TNG & DS9 on DVD, but this trailer suggests I am, in fact, missing out:

If you want a hands-on experience with TNG in high definition, a $22 sampler was released in January that included the show's two-part pilot, as well as episodes "Sins of the Father" and "The Inner Light". That disc apparently was sufficient proof of concept for the studio to commit to releasing the entire first season, hitting store shelves on July 24th with an MSRP of $118. But even that will have its own sampler — not on yet another retail purchase, but on the silver screen. TVShowsonDVD.com reports that, on Monday, July 23, 600 theaters in 49 U.S. markets will screen episodes "Where No One Has Gone Before" and "Datalore", in addition to some behind-the-scenes extras.

Star Trek series are becoming just like Star Wars: now you can own them again for the first time!

Bill Corbett (whose birthday is today — happy birthday, Bill!) is a writer who knows no bounds: his comedic stylings have defined both RiffTrax and MST3K; the best parts of the Eddie Murphy film Meet Dave were his work; he even contributed to the animated short Max the Hero.

Television, film, live performances, animation — what remains? A graphic novel, of course! And that's exactly what Corbett has envisioned with his Kickstarter project for SUPER-POWERED REVENGE CHRISTMAS!.

The artwork will be drawn by Len Peralta, who formerly did the Geek a Week trading cards.

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Kickstarter is a crowdsourcing platform that solicits pledges from the mass market to fund a project. This approach allows artists like Corbett to retain control of their creative vision without sacrificing it to meet the demands of a publisher. Perhaps that is why the final book will be made available as an e-book only and not in a dead trees edition printed for $100-level donors only. The project has until April 28th to raise a minimum of $23,000, or else no money is collected and the project doesn't happen, so pledge at least $15 to guarantee your copy of the finished novel this Thanksgiving!

I'm not trying to be hip when I say "I liked Transformers before Transformers were cool." Because the fact is that Transformers aren't cool — not since Michael Bay got his filthy paws all over them and turned Optimus Prime into a vengeful sociopath. Maybe it's not fair to have high standards for a children's cartoon based off a line of toys, but as an adult, I've revisited many of my childhood's fondest memories, and few have stood up as well as the original Transformers animated series. Even today, when political pundits write stirring calls for action and cite the Transformers ethos, they are referring to the source material, not Bay's adaptation.

But I understand that franchises must either adapt to the times or make way for new properties to ensconce themselves in a child's heart. Perhaps a combination of those two approaches is the way for Transformers to remain both relevant and beloved. Why not meld it with a proven entity? Thomas the Tank Engine has been around since 1946, but as my nephew demonstrates, he continues to be popular with kids.

An enterprising artist named James Farr sees this as a natural mashup and has created an entire series based on the idea. "Thomas the Transforming Tank Engine defends the Island of Sodor against a host of villainous engines bent on destroying the world" in… TRAINSFORMERS.

There are at present four videos, with new ones announced via Facebook and Twitter. My favorite is the second video, as it seems the most perfect amalgam with the least backstory needed — though the stories do seem to get darker and more violent as the series progresses.

How long before Michael Bay ruins this indie effort with a big-budget blockbuster?

See also the 2009 mashup, Transforminators.

(Hat tip to Alon Waisman)

I'm a fan of The Lord of the Rings — the movies, not the books — and not obsessively so. I saw each of the three movies the weekend they were released, followed by the director's cuts back-to-back in a marathon session seven years ago. But the tale didn't begin with Fellowship of the Ring, and neither did the marathon: we started with Rankin's animated movie, The Hobbit, which I'd seen many times as a child. It's a fun movie and the best in an overall poor series of animated adaptations of JRR Tolkien's books.

It seems the only way we'll have the complete tale in a single medium, animated or live action, is to target the anomalous entry in the above marathon for replacement. Peter Jackson is happy to oblige beginning December 14, 2012, with the first of the two movies, the first being The Hobbit: An Unexpected Journey.

This is not technically a prequel, as it was written before Fellowship, but it is indeed set many decades before that 2001 film. Some things remain constant, however: just as the previous trilogy is greatly enhanced by RiffTrax, so too has The Hobbit already begun attracting its satirists:

Like the literal trailer and its lyrics? You can get the song on iTunes for only 99 cents! Good grief.

I eagerly await this return to Middle-Earth and all the good humor it portends.

(Hat tip to Mary House and Know Your Meme)

Happy holidays from Showbits! The site turned five years old this month, and though the posting isn't as prolific as it used to be, I'm still glad to share this outlet with you, especially in so demanding a season. We often need to remember to take a breather and enjoy this time of year. With some tips on how to do so is The Muppets cast member Animal:

The Muppets are long-known for their festive spirit. Be sure to join them for a chorus of bells, too!

See you in 2012!

When I first saw Apple's iMovie '11 demonstrated, I knew I had to have it. Even though I don't do much video editing, I had to play with this edition of the popular movie-making software's exciting new feature: a trailer-making workflow. By choosing a film genre and dragging and dropping predefined types of shots (wide, group, action), anyone could effortlessly make a coming attraction for the movie of their lives.

My first outing with this functionality was a promotional video for an annual fundraising event. Since the fundraiser had already been held by the time I got my hands on iMovie, I didn't have any footage of my own to work with. I instead downloaded existing YouTube videos and recut them for my purpose, using the "sports" genre of film. When I showed the final product to the original videographer, she responded, "I just saw your movie trailer and I LOVE IT!!  You created a great, professional quality, energetic piece. I might bug you to do this again with what we['ll shoot next year]!"

My most recent trailer is the only one I've shot for fun. On June 12, 2011, two friends joined me in my annual ascent of Mount Monadnock, the world's most-climbed mountain. It was a last-second impulse to bring my video camera, a Kodak Zi8, and I got several candid and staged shots throughout the state park. I originally tried casting it as a horror film, but in the end, it worked best as an adventure.

But the trailer that was most meaningful is the one I made as a gift. I spent Christmas 2010 with friends, and I wanted to show my appreciation for letting me into their home to share this special holiday. Over the course of a week and as innocuously as possible, I shot several clips of B-roll. Most of them were no longer than five seconds, though one, a Christmas pageant, was fifteen minutes. Altogether, I ended up with about thirty minutes of film, which I whittled down to a brief trailer.

When I debuted a rough cut to the friends, they were extremely moved, immediately wanting to watch it again — and again — and again! They shared it with everyone in their immediate and extended family, and I could tell from my online analytics that the video was viewed every day for at least a month. As its audience was not computer savvy, they had no idea that the quality of what they were seeing wasn't the result of me being a professional video editor. Thanks to iMovie, I was able to keep my secret!

Just in time for me to re-create this gift for my own family this year, Vimeo, my video-hosting service of choice, has offered these tips for shooting great holiday video. Their suggestions are simple yet effective and will give you plenty of grist for later editing.

Happy holiday filming!

Star Wars and John Williams' soundtrack for same have inspired many lyrical masterpieces that pay homage to the original while creating their own unique variation and atmosphere. The format and style has ranged from the faithful Star Wars: In Concert tour to a corny Star Wars: The Musical the interpretive Dancing with the Stars.

Adding to that eclectic body of work and currently topping the YouTube charts is what's sure to be an instant classic. Please enjoy Cello Wars:

And yes, that's the same guy on both sides of the duel. In the YouTube video description, artists The Piano Guys detail the investment in this production: "70 days later, more than 7,000 frames, 72 audio tracks, 24 hours of filming through the night in front of a green screen, the most props and costumes we've ever used, several broken bows and strings, and over 1,000 hours of editing and rendering". I'd say it was worth the effort!

You can download the MP3 version for free, though it features only 75% of the above video's soundtrack. Snagging this file (which has no ID3 tags) requires engaging in a viral marketing campaign by sharing a link via Facebook page or Twitter; far less obnoxious is subscribing to their YouTube channel — a pretty low price for such a quality product.

May the strings be with you!

(Hat tip to Jessica Kreutter)

For the past several years, I've made an annual tradition of attending the Super Megafest, a sci-fi and nostalgia convention held in Framingham, Massachusetts. It's not a massive affair, but for its size and location, it's still fairly enjoyable, with several aspects to entertain the showgoer: vendors of various geek goods; celebrities on-hand for personal autographs (not free or even cheap!); Q&A sessions with said celebrities; and more.

But I found 2010 to be mildly disappointing, due to a variety of logistical decisions. The Q&A sessions are scheduled for specific times and days, but the event coordinator chooses not to publicize those schedules ahead of time, such as on the Super Megafest Web site; my email requesting this data confirmed that it is not available in advance. Although I realize celebrities' schedules often cannot be determined until the last minute, it's frustrating for me to not know if I should be at the conference on Saturday at 10 AM or 5 PM, or on Sunday. Without the Q&A, I need only an hour or two to absorb the event in its entirety; it's unreasonable to block out an entire two-day weekend for whenever the Q&As might be.

The comfort of the celebrities is of course the organizers' priority, so rather than have the stars stand for an hour during Q&A, they're allowed to sit. But the session is held in a conference room large enough that folks in the back can't see someone seated at the front. A simple riser that would elevate the celebrity would be a simple fix.

Last year, I calculated the cost of admission plus that of Christopher Lloyd's autograph and decided it was worth getting the "VIP speed pass", which included admission and autographs by Lloyd and Lea Thompson. The "speed" aspect allowed me to bypass the line for this celebrity, which would otherwise take hours to traverse. But there was no fine print indicating that this privilege was valid only from 9:30 AM to 10:30 AM! The Web site informed me only that I was paying for "a beat-the-line speed pass". Such vague terminology bordered on the deceptive.

Despite all that, I was still glad for the opportunity to meet the stars. Few people had paid for the speed pass, which also granted exclusive access to Lloyd's Q&A session, which made for an intimate setting. Everyone got to ask a question, with mine being: "Does an actor of your renown still have to audition for parts, or are they written for or handed to you?" Lloyd said that sometimes, the writers say to themselves, "Oh, this script calls for a drunk? Let's get Lloyd." But more often, he still needs to audition, as it's not always clear whether he or someone else will be right for a part. Lea Thompson never showed up, so my pass got me two Lloyd autographs instead.

I also met Marina Sirtis, better known as Deanna Troi from Star Trek: TNG. She was very friendly and fun, laughing and smiling and calling everyone "hon". When I saw the various 8"x10" glossies she had available to autograph, I chose an off-camera shot from First Contact, commenting, "You were so funny in that film!" She responded, "I was more myself in that Star Trek movie than in any other."

I had some time to kill between sessions, so I sat in on a Q&A by Kristin Bauer, who plays Pam De Beaufort on True Blood. I'd never seen this show so wasn't very interested, but she redeemed herself with the credit of playing Lt. Laneth on an episode of Star Trek: Enterprise.

I ended the show by getting Peter Mayhew's autograph. The taciturn Wookie didn't have much to say and didn't offer to personalize his signature, though he did do so after I handed it back with the request.

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The headliners for this year's Super Megafest are Patrick Stewart and Sean Astin. After a month of waffling, and with just a week to spare, I coughed up the dough for another VIP speed pass. I'm a bit disenchanted with Super Megafest, though, and would not have been roped in for another expensive pass for anyone other than Captain Picard.