Archive for the 'Films' Category
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Tis the season for superhero reboots: Spider-Man got his this past summer, and the Fantastic Four will get a makeover in 2015. Between those two will be the most iconic superhero of them all. Kal-El, the Last Son of Krypton, will become Clark Kent, then Superman, this June 14 in Man of Steel, an original film directed by Zack Snyder (300), produced by Christopher Nolan (The Dark Knight Rises), and written by David Goyer (Blade II, Jumper, The Dark Knight, Ghost Rider 2). With teasers having been released at this past July's Comic-Con, it wasn't until this week that the masses got their first glimpse of Metropolis' defender with this full trailer:
Man of Steel is the first Superman film (if it can be considered that, given the movie's title's lack of nomenclature) to not be based Christopher Reeve's interpretation since he made that role manifest in 1978. Bryan Singer's 2006 sequel was both empowered and limited by its adherence to continuity, and though I seem to be one of the few who enjoyed Brandon Routh in the role, even I agree it's time for an original retelling.
And that we'll get: Snyder's version appears to focus away from the action and more on the character. Although there are hints of super-powered villains, the film's tension appears to originate from the identity crisis Kal experiences. Is he an alien, a Kansan, or a Samaritan? How will he balance his responsibilities to himself, his family, and his world? It doesn't sound like the stuff of a Hollywood blockbuster, yet with such a storied production crew behind it, Man of Steel has potential to deliver the movie franchise back into the sun.
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The answer is Shuffle, a 2011 film from writer and director Kurt Kuenne, creator of the Showbits Summer Shorts pieces Rent-a-Person and Validation. Kuenne reunites with Validation star T.J. Thyne for Shuffle, a mystery about a man living his life out of order for a reason he has to decipher — before it's too late. Here's the trailer for the film that production studio Theatre Junkies describes as "Twilight Zone meets Frank Capra":
Kuenne's previous shorts were so sincere and touching that I'm eager to see how he manifests the human condition in Shuffle. The film was released this past August to home video, streaming via Netflix, and rental from iTunes and other services.
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The Lord of the Rings made for an epic cinematic tale that debuted in the 2001 holiday season, becoming an annual tradition until the trilogy's conclusion in 2003.
Now we have another three years of J.R.R. Tolkien adaptations to look forward to, as this December 14 sees the premiere of the first of three movies based on The Hobbit, the tale that precedes LotR. (It's not a prequel, as The Hobbit was written first.)
Three movies from only one book is possible because we'll be seeing many of the sequences and scenes that were only hinted at in the original narrative. If you wondered where various characters disappeared to while the story followed the main party, Peter Jackson's The Hobbit trilogy will fill in those gaps. Although skeptics and pundits may decry this elongation as a desperate money grab, one must admit that it's a darn effective one: who's going to see just two-thirds of this tale, especially given previous successes in the series?
Back when the original trailer was released, The Hobbit was still envisioned as a duology. The latest trailer is the first to preview the trilogy and shows more of the scenes that are unique to the film:
I'll be in line on or near each of the three opening nights. What about you?
(Hat tip to Jason Schreier)
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I'm a fan of The Lord of the Rings — the movies, not the books — and not obsessively so. I saw each of the three movies the weekend they were released, followed by the director's cuts back-to-back in a marathon session seven years ago. But the tale didn't begin with Fellowship of the Ring, and neither did the marathon: we started with Rankin's animated movie, The Hobbit, which I'd seen many times as a child. It's a fun movie and the best in an overall poor series of animated adaptations of JRR Tolkien's books.
It seems the only way we'll have the complete tale in a single medium, animated or live action, is to target the anomalous entry in the above marathon for replacement. Peter Jackson is happy to oblige beginning December 14, 2012, with the first of the two movies, the first being The Hobbit: An Unexpected Journey.
This is not technically a prequel, as it was written before Fellowship, but it is indeed set many decades before that 2001 film. Some things remain constant, however: just as the previous trilogy is greatly enhanced by RiffTrax, so too has The Hobbit already begun attracting its satirists:
Like the literal trailer and its lyrics? You can get the song on iTunes for only 99 cents! Good grief.
I eagerly await this return to Middle-Earth and all the good humor it portends.
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Happy holidays from Showbits! The site turned five years old this month, and though the posting isn't as prolific as it used to be, I'm still glad to share this outlet with you, especially in so demanding a season. We often need to remember to take a breather and enjoy this time of year. With some tips on how to do so is The Muppets cast member Animal:
The Muppets are long-known for their festive spirit. Be sure to join them for a chorus of bells, too!
See you in 2012!
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When I first saw Apple's iMovie '11 demonstrated, I knew I had to have it. Even though I don't do much video editing, I had to play with this edition of the popular movie-making software's exciting new feature: a trailer-making workflow. By choosing a film genre and dragging and dropping predefined types of shots (wide, group, action), anyone could effortlessly make a coming attraction for the movie of their lives.
My first outing with this functionality was a promotional video for an annual fundraising event. Since the fundraiser had already been held by the time I got my hands on iMovie, I didn't have any footage of my own to work with. I instead downloaded existing YouTube videos and recut them for my purpose, using the "sports" genre of film. When I showed the final product to the original videographer, she responded, "I just saw your movie trailer and I LOVE IT!! You created a great, professional quality, energetic piece. I might bug you to do this again with what we['ll shoot next year]!"
My most recent trailer is the only one I've shot for fun. On June 12, 2011, two friends joined me in my annual ascent of Mount Monadnock, the world's most-climbed mountain. It was a last-second impulse to bring my video camera, a Kodak Zi8, and I got several candid and staged shots throughout the state park. I originally tried casting it as a horror film, but in the end, it worked best as an adventure.
But the trailer that was most meaningful is the one I made as a gift. I spent Christmas 2010 with friends, and I wanted to show my appreciation for letting me into their home to share this special holiday. Over the course of a week and as innocuously as possible, I shot several clips of B-roll. Most of them were no longer than five seconds, though one, a Christmas pageant, was fifteen minutes. Altogether, I ended up with about thirty minutes of film, which I whittled down to a brief trailer.
When I debuted a rough cut to the friends, they were extremely moved, immediately wanting to watch it again — and again — and again! They shared it with everyone in their immediate and extended family, and I could tell from my online analytics that the video was viewed every day for at least a month. As its audience was not computer savvy, they had no idea that the quality of what they were seeing wasn't the result of me being a professional video editor. Thanks to iMovie, I was able to keep my secret!
Just in time for me to re-create this gift for my own family this year, Vimeo, my video-hosting service of choice, has offered these tips for shooting great holiday video. Their suggestions are simple yet effective and will give you plenty of grist for later editing.
Happy holiday filming!
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Ladies and gentlemen… boys and girls… I present to you: the summer blockbuster of 2012.
Marvel superheroes Iron Man, The Incredible Hulk, Captain America, and Thor join forces as the Avengers, under the direction of Joss Whedon of Buffy and Firefly fame. The team's individual films have, on the whole, been good to great, so even I, only an occasional fan of Marvel Comics, find myself with high hopes and expectations for this collaboration.
This raises the question: Why can't DC Comics do this with their stable of legendary heroes? Their Batman franchise is going gangbusters, but they've so far failed to gain traction with Superman (though a reboot is coming in 2013) or Green Lantern. The IMDb lists a Wonder Woman TV show coming later this year, with a movie in 2015. By contrast, Marvel assembled their team in just four years.
We'll likely not have an answer until well after The Avengers' May 4, 2012, debut.
UPDATE: Do not be fooled by cheap imitations!
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Today marks the twentieth anniversary of the release of one of the greatest films of all-time. I am speaking of course of Terminator 2: Judgment Day. I already sang this film's praises on the tenth anniversary of Judgment Day, so I won't again fawn over its intricate plot, layered characters, and stunning action. But I will offer this creative amalgamation of line art and stop-gap motion in tribute to the best sequel ever: