A prime example is in the TNG episode "Schisms", in which various crew members are subjected to nighttime alien abductions. This episode is also the origin of the fondly remembered demonstration of iambic heptameter known as "Ode to Spot", a poem written by the ship's android describing the qualities of his feline companion.

Despite its misspoken opening line, I love this artistic effort of Data's. Although his audience members roll their eyes, is there anything truly wrong with the piece? It's clever, it rhymes, and it shows true affection.

The only thing that could make it better — is if it were set to music:

Add "hip" to the list of Data's qualities.

A version of this rap is also included in a longer nerdcore dedication to Data.

(Hat tip to ROFLrazzi)

But it wasn't until this week that I finally popped in the set's second disc of bonus features. I'm not usually a fan of such material and can't remember the last time I listened to a director's commentary, but I'm always willing to make an exception for Star Trek.

As I expected, this disc was a welcome addition to the set and not just some tacked-on money-grab. Some of these featurettes were filmed on the set of the movie, but others were shot exclusively for the special edition DVD's 2005 release. They're broadly broken down into "The Star Trek Universe", "The Borg Collective", "First Contact Production", "Scene Deconstruction", and "Archives", for a total of 19 pieces.

I first watched the 11-minute "The Legacy of Zefram Cochrane", which details the inventor of the warp drive and how he was cast and written for First Contact. The interviews with Rick Berman, Michael Okuda, James Cromwell, and Brannon Braga focused primarily on the First Contact portrayal of the character but does include some clips and discussion of Glenn Corbett, who debuted as Cochrane in TOS. (Corbett died in 1993, well before Cochrane's reinvention for First Contact.) No mention of a very different interpretation in the non-canon novel Federation was made, though.

I spent the next 18.5 minutes with "First Contact: The Possibilities", which was in fact not a montage of scenarios from science fiction or hypothesis of humanity's first encounter with extraterrestrials, but was instead a profile of real-world, modern-day efforts to detect signs of alien intelligence. Representatives of SETI and the Planetary Society shared their methodologies and hopes, detailing some interesting intersections with Star Trek. For example, I had no idea that SETI@home would not exist if not for Paramount Studios!

"Design Matrix" dissected the artistry of the Enterprise and its cybernetic inhabitants, the Borg. Although I imagined the budget of the silver screen allowed for more complex cyborgs than their television roots did, I had never consciously noted some of the differences — for example, TNG Borg had helmets and caps, and movie Borg did not. The attention to detail that the First Contact Borg received also allowed for eyepieces that you probably didn't know blinked Morse code messages, usually the names of the electrician's friends and pets. With so much investment in each outfit, the crew had the time and budget to design only eight individual Borg outfits, which were reused time and again in this film and in Voyager. Director Jonathan Frakes was quick to give credit where due, a quality consistent with my meeting him at the Super Megafest a few years ago.

"The Story" revealed some alternative angles the scriptwriters tried, including putting Picard in Montana with a local photographer as a love interest, or even setting the entire film in Medieval Ages. I'm not surprised that MAD Magazine spoofed this film when it came out, but I didn't know that their parody was apparently based on one of those earlier scripts. Now I'm keen to get my hands on that lampoon!

I was disappointed to find the featurette dubbed "From A To E" was not about the history of the Enterprise, but rather the putting together of First Contact. The crew's analogies amused me, from Ronald D. Moore calling the film "Die Hard on the Enterprise" to Brannon Braga describing the film's conclusion as the "Star Trek nativity scene, with three wise Vulcans". Throughout these interviews, though, Braga and Rick Berman rarely cracked a smile, even as other cast and crew cheerfully shared that "Star Trek is so much fun!" and "First Contact is my favorite film." It was a sharp contrast.

There are also a few scene breakdowns that show how the CGI was done (ever liken the Borg sphere to the Death Star?), with narration by ILM special effects supervisor John Knoll. This and some Easter eggs topped off a great package, though a lack of deleted scenes was noticeable.

As much as I appreciated learning more about my favorite Star Trek film, what truly gave a new perspective of it was the novelization. Whether a movie is being adapted to book or vice versa, the source material is almost always superior, but there are nonetheless opportunities to explore the characters and plot in a way unique to that medium. In the case of First Contact, the J. M. Dillard's novel explains to us why Zefram Cochrane is both brilliant and an alcoholic. It gave our protagonist much more gravitas and let me better empathize with him, rather than seeing him almost as the film's comic relief.

Two negative changes the book featured (perhaps due to working off an unfinished script) were relatively minor. When Picard claims the phaser from Lily and she demurs "It's my first ray gun," the preceding line in the film indicates that the weapon was set to kill. In the book, it's on its lowest setting, which would've given Picard only a bad burn, making the perceived threat of the scene into fantasy. Finally, before Data's novelized betrayal of the Borg, he gives Picard many not-so-subtle cues. I much prefer the tension produced by his last-minute cinematic revelation.

That there are so many important details, both within and behind the scenes, demonstrates how much love was poured into this movie. It's the Star Trek film that I've returned to time and again, and I look forward to celebrating many more First Contact days.

Perhaps I was auditioning for the wrong group, as I recently became aware of Hi-Fidelity, who performed at the 2006 Harmony Sweepstakes competition. I've often attended the preliminary rounds of this annual competition and have observed that the best groups have either plenty of personality or a gimmick. Hi-Fidelity had both, performing a pair of original, Star Trek-themed songs — in character, no less!

These comic stylings are courtesy tenor Craig Ewing, lead Dan Jordan, bass Martin Fredstrom, and baritone Gregg Bernhard. Together as Hi-Fidelity, they accrued an eclectic geek portfolio in the past decade, even providing the vocals for an incongruously violent Xbox video game commercial. Alas, their Web site has not been updated since their Pan Pacific Championship 2008 win.

Now, where's my pitch pipe …

For all that potential, Voyager is often maligned as the worst Star Trek series of all. Consistent plot holes (no stranger to the Star Trek universe), atrocious writing (Threshold beats out Shades of Gray anytime), sexy but shallow characters (Kes, Seven of Nine), non-threatening adversaries (leave it to Voyager to defang the Borg), and an over-reliance on spatial anomalies (including time travel as a series finale deus ex machina) hamstrung the show.

Voyager had its strong points as well, and I enjoyed its episodes more often than I didn't. But a proper roast doesn't focus on a subject's admirable qualities, so to bid a happy sweet sixteenth birthday to the fourth live-action Star Trek series, I offer this breakdown of Voyager's secret formula (note: the following video contains a subtitle with the f-word — you have been warned):

Happy anniversary, Voyager. May you live long and prosper!

(Hat tip to uncultured via ROFLrazzi)

One of Mr. Verniere's more interesting comments was that Star Trek had to stop recruiting from within its own ranks (the film's director was Jonathan Frakes). Why not have Antonio Banderas as an ensign on the Enterprise, he suggested? I presume the critic was trying to expand the franchise's appeal by giving non-Trekkies a point of familiarity by which to be introduced to the series. Though it would be jarring for an established cast to suddenly be joined by an actor known for non-sci-fi work, Mr. Verniere's suggestion proved correct in the appropriate context: the presence of Bruce Greenwood, Winona Ryder, Zachary Quinto, and others didn't detract from but added to last year's reboot of Star Trek: TOS, which provided an entirely new slate on which these actors could gel as a team.

What other celebrities might Star Trek benefit from introducing? We still don't know what's to come in the sequel, slated for release on June 29, 2012 — but we can imagine what it might look like if Nicolas Cage, Summer Glau, and David Tennant joined the ranks of Starfleet, courtesy the Photoshop machinations of Rabittooth.

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Several of the stars in this small sampling would surely be scene-stealers; Kevin Spacey warrants nothing less than prime antagonist, for example. But Brandon Routh, whose one leading role as Superman was fleeting enough to allow him to turn in a stellar yet innocuous performance in Scott Pilgrim vs. The World, could be a subtle yet effective addition to any bridge crew.

This isn't the first time non-Trek actors have been inserted into Gene Roddenberry's universe. Alex Luko transposed one show's entire cast onto the Enterprise with a result that left geeks salivating:

Who would you like to see in the next Star Trek movie, and why?

How It Should Have Ended is a series of animated re-imaginings of popular film endings. Having assumed you've seen the original film, the shorts present their own interpretations of key points of the stories, resulting in dramatically different endings. The series was started as a fun side project that non-viability threatened with extinction; fortunately, Starz media network provided HISHE's creators with the incentive to keep going.

With Iron Man 2 due out in a few days, it seems timely to review its predecessor's conclusion. That last battle always did strike me as a bit forced. Here's how Iron Man should have ended:

The confab with Superman, Batman and Spider-Man is a running gag that alludes back to earlier videos.

Not all HISHE shorts are consistent within their films' universe; sometimes, their non sequiturs apply a sort of meta-awareness of Hollywood. A good example is how Star Trek should have ended:

I imagine hardcore fans might not cotton to their favorite films being parodied in such a manner — the Lord of the Rings spoof is especially threatening to such fanboyism — but we're here to enjoy ourselves, and anything that uses film to get us to laugh at ourselves as well is a means to that end. Check out HISHE's full library of over two dozen reinterpretations. What film ending would you like to see added to their collection?

Sci-fan fans found a treasure trove of licensed products today at ThinkGeek. The most delicious of them all: Tribbles 'n' Bits cereal. Fresh from the replicator, it's the the perfect wake-up for any Star Trek fan. Don't worry — the breakfast treat is entirely vegetarian, being composed of wheat, rice, rye, and quadrotriticale. If you'd like some company in the mess hall, and the enclosed Captain Pike action figure is too binary a conversationalist (which is still one state more than the monolith action figure can offer), there's one cool tribble who might accept such an invitation. Don't set the date just yet; though this cereal may be a product of the 23rd century, it could prove popular enough to warrant warping into our reality, as previously happened with their tauntaun sleeping bag.

Regardless of the cereal's fate, kudos to ThinkGeek for such a clever array of surprises today. They're almost on par with the more literary jests of StarTrek.com, which a half-decade ago offered such insider jokes as "Your Mirror Universe Twin and You FAQ", "Several New Star Trek Pilots Rejected", and more. Even three years later, the closure of StarTrek.com as we knew it is one I still lament. Thank you, ThinkGeek, for filling that gap.

A cannon fashioned from bamboo, charcoal, sulfur, and diamonds? That's simply not feasible… or is it? The Discovery Channel's cult favorite, Mythbusters, tackles this classic scenario next Monday, December 28, at 9 PM. Here's a preview:

Poor Gorn. The lizardman had only the best of intentions:

For more of Captain Kirk's ham-fisted battle strategies, check out the independent film, The Kirkie.

(Hat tips to Dayton Ward, SCI FI Wire, and SciFi Diner Podcast)

The movie is available in three physical editions: one-disc standard definition, two-disc standard definition, and three-disc high-definition. With wise shopping (and the previous sentence's links), you can find these formats for $10, $20, and $20, respectively. The standard def one-disc format has just the movie and gag reel, whereas the two-disc edition includes nine deleted scenes (with Klingons!), several featurettes, and a digital copy of the film you can put on your computer or mobile device. Many more features are exclusive to Blu-ray — which, despite being a higher-capacity format, needs three discs to hold it all. (Apparently the higher resolution of Blu-ray requires the digital edition to have its own dedicated disc!)

You can also download the film from iTunes for $15 standard definition and $20 HD. iTunes' online rental option won't be available until December 16, though Amazon has it now for $4.

No matter what format you get, this film is sure to be the perfect stocking stuffer this holiday season — or, if you can't wait for Santa, then share it with the family next week on American Thanksgiving. Though if you don't think you'd like the film at any time of year, then RiffTrax's audio commentary will be available this Thursday.

I've been to the movies 389 times in the last 15 years. Of all those films, a few were worth seeing twice, but Star Trek is the only movie I've seen three times in theaters. I can't wait until home video lets me add even more repeat showings to my record!

• On Saturday, November 14th, the touring "Star Wars In Concert" comes to the TD Garden for both a 3:00 PM matinee and an 8:00 PM performance. The concert is described as "John Williams' breathtaking score from the epic Star Wars saga … performed by a live symphony orchestra and chorus, accompanied by a stunning video montage on an enormous LED screen." Anthony Daniels (C-3PO) has been narrating this concert, though it's unclear if that's only at specific venues. Us Bostonians are no stranger to hearing Mr. Williams' soundtracks performed live, as the composer is also the director emeritus of the renowned Boston Pops Orchestra and often serves as guest conductor, but a dedicated concert to this particular score is a rare treat. Tickets are $32.50, $52.50, or $72.50, plus applicable taxes and fees.

• That same weekend is the New England Fan Experience (NEFX) sci-fi convention. Star Trek headliners include Bostonian Leonard Nimoy (Spock Prime) as well as John de Lancie (Q), though the former will be available only on Saturday, competing with the aforementioned Star Wars concert. Online tickets (via a Web site that is remarkably reminiscent of a GeoCities page) are available through November 6th for $45 each, or for $50 at the door.

• NEFX 2009 is held a week earlier than in 2008, avoiding the conflict that occurred last year with the annual Super Megafest, traditionally held the weekend before Thanksgiving. That means this year, you can attend NEFX one week and Super Megafest the next! The latter is held in Framingham, less than a half-hour west of Boston. The expo — which features an unusual amalgam of sci-fi actors, comic book artists, TV show stars, and pro wrestlers — will this year present Brent Spiner (Star Trek's Data), Ray Park (Star Wars' Darth Maul and, more recently, G.I. Joe's Snake Eyes), and James Marsters (Buffy's Spike). In addition to signings, each star also has a half-hour Q&A session, though the schedule is unknowable prior to the event: an email from its coordinator informed me, "No, panels will not be posted on the site. Most celebs will do Q&A sessions both days. However sat is probably the better day to see more Q&A sessions." Last year I happened to show up just in time to see Jonathan Frakes; otherwise I would've been out of luck. The actual show floor is quite small but packs a lot into it. Tickets for the entire November 21-22 weekend are only $20.

Though the two conventions offer cheaper admittance than the orchestral concert, they also have the most potential to drain your allowance, based on how many celebrity autographs you want to go home with; typical fees range from $20 to $50 or more per signing. This will be my third Super Megafest, and I usually budget $100 for at least three autographs.

If you'll be attending either the Star Wars matinee or the Super Megafest, be sure to say hello to Showbits!