Showbits

I've now had a month to play with and evaluate my Christmas bounties and have come to a conclusion: the thought and care that went into my handmade Pac-Man scarf puts it on top, but the first two seasons of Big Bang Theory on DVD made for a close match.

True to the conjecture that "the geek shall inherit the Earth", we finally seem to be in an era where it's hip to be a geek. The world runs on the Internet and is beholden to those who have mastered it, while the success of movies like Batman and TV shows such as Battlestar Galactica are evidence of the consumer power of the geek demographic.

Big Bang Theory puts those geeks in the spotlight with two cohabitating physicists, Leonard (Johnny Galecki) and Sheldon (Jim Parsons). Together with co-workers Howard (Simon Helberg of Dr. Horrible) and Raj (Kunal Nayyar), they play Halo and Dungeons & Dragons, attend Star Trek conventions and costume contests, and postulate about quantum mechanics and string theory. When Penny (Kaley Cuoco), a cute Cheesecake Factory waitress, moves in next door, Leonard tries to get her attention without abandoning his esoteric lifestyle. Hilarity ensues.

Although the show does play to some stereotypes, it does so respectfully. Leonard, Sheldon, Howard, and Raj are respected by their peers and are successful in and fulfilled by their careers and hobbies. The humor arises not from lampooning what it means to be a geek as much as it does by highlighting the culture clash that occurs when geeks try to interact with the rest of society. Besides, how could the show poke fun at geeks when the geeks in the audience can empathize with so many of the jokes? This is a show about laughing with, not at, the heroes.

Although adorable and well-intentioned Leonard is ostensibly the star of the show, the scenes are often stolen by Sheldon, who exaggerates the geek archetype by proving himself completely devoid of emotion. Imagine a creature as logical as Spock but with a complete unawareness of the existence of other organisms' emotions or how to be sensitive to them. Such extreme snarkiness is unattractive, but it makes Sheldon's occasional humanity all the more surprising.

Take this scene from the second season's Christmas episode. Sheldon, not knowing what price range his gift from Penny will fall under, has prepared several gifts to give her based on the value of what he receives. Once he has received and evaluated her gift, he intends to sneak away to choose the appropriate reciprocation.

Would any of us have reacted any differently? (The fact that you're reading Showbits in the first place suggests "no".)

From the opening number performed and sung by Barenaked Ladies to the epilogue, each episode is a riot of intelligent, witty humor. If you liked the superior stylings of Frasier, you'll like Big Bang Theory. My thanks to those who took a chance on introducing me to this series for Christmas.

When Hollywood adapts a television series to film, it's easy to view the maneuver as an uncreative and desperate attempt to cash in on a well-known brand without any respect for the original property and its fans. From Car 54 and Mod Squad to G.I. Joe and The Transformers, there are myriad examples of stories that were best left to the small screen.

But to paint all such adaptations so negatively is to overlook the overwhelming success, both critically and financially, of film such as Serenity and Star Trek. Such home runs give us reason for optimism, even if their lackluster counterparts temper that optimism with caution.

I'm therefore ambivalent toward the feature film reboot of The A-Team. The original series, which ran for 98 episodes from 1983 to 1987, had a colorful and recognizable cast that included George Peppard (Breakfast at Tiffany's), Dirk Benedict (Battlestar Galactica), Dwight Schultz (Star Trek: The Next Generation), and Mr. T (who will not appear in the reboot). It doesn't seem feasible that any modern studio could recapture that magic.

And yet, the following trailer has me positively giddy:

As Dayton Ward said, "Does Liam Neeson look like a dead ringer for George Peppard, or what?" And it goes beyond just superb casting — the opening dialogue, the music, the one-liners, and the action all seem lifted right from the original series:

Maybe this studio knows what they're doing, after all. We'll find out on June 11, 2010.

(Hat tip to ComingSoon.net)

It's not easy to find a hero. Celebrities and athletes are often idolized, but for less than ideal reasons, such as superficial strength and fleeting victories. And the high standards to which role models are held makes it all the easier for them to fall.

So it is an honor today to acknowledge the 80th birthday of astronaut Buzz Aldrin, the second person to ever walk on the moon. In 1969, he and his team risked their lives to boldly go where no human had gone before. They didn't know if they'd return, but they believed in the scientific and inspirational value of their mission, and they accepted all its inherent dangers.

Mr. Aldrin's reputation isn't limited to that one event forty years ago. Since then, he has continued to be an outspoken supporter of space exploration — and, when need be, a critic of NASA. His public appearances run the gamut from interviews in the Ron Howard documentary In the Shadow of the Moon to an avuncular encounter on Sesame Street:

Like many celebrities, Mr. Aldrin has a versatile online presence. His official Web site has news, interviews, and videos. There, you can purchase his autobiography, Magnificent Desolation, released on June 23, 2009, in which he relates his post-retirement battles with depression and alcoholism; or learn about his upcoming iPhone application. You can follow him on Twitter at @TheRealBuzz and be his fan on Facebook.

A hero takes every opportunity he can to make the world a better place, and Mr. Aldrin's eightieth birthday is no exception: he asks that you please donate whatever you can afford to the Clinton Bush Haiti Fund for disaster relief.

Thank you, Mr. Aldrin, for all your work in lifting this planet's inhabitants to the stars.

(Hat tip to Dayton Ward)

Art Clokey, creator of the stop-motion clay animation shows Gumby and Davey and Goliath, passed away this Friday. He was 88. The New York Times has the full obituary.

Though Davey and Goliath and its Lutheran values predate my childhood, I was a religious follower of Gumby, making the show a part of my morning ritual. Gumby's friendship with Pokey took them on the most fantastic adventures, though later characters Prickle, Goo, and Denali were sometimes a bit disturbing. Mr. Clokey's obituary taught me things even I didn't know about the character, such as the origin of his design — "Gumby’s asymmetrical head, resembling a rakish pompadour, was a tribute to [Art Clokey's] biological father's prominent cowlick" — and his popularity: more violent cartoons swayed viewers away from Gumby until Eddie Murphy's bawdy interpretation of the character on Saturday Night Live brought the fans back to the original. Who knew that a seemingly disparaging parody could have such a positive effect?

If parody can then be a tribute, then I offer the following MST3K as my contribution to Mr. Clokey's memorial. "Robot Rumpus" was Gumby's third episode, having debuted on The Howdy Doody Show in August 1956:

Iron Man was one of the most realistic and enjoyable superhero films of the last decade (Oughts? Noughts?). It captured both the struggle and the enthusiasm that we imagine anyone bequeathed superpowers would experience. (And it made for a dang funny RiffTrax.)

Though Iron Man may not be one of Marvel's most recognizable superheroes, being overshadowed by the likes of Spider-Man, the X-Men, and the Incredible Hulk, his theatrical debut paid off and quickly warranted itself a sequel. Last summer's purchase of Marvel by Disney hasn't slowed down the fast track our tin-can hero is on. The summer blockbuster season kicks off on May 7, 2010, with Iron Man 2:

The trailer shows Iron Man joined in combat by Rhodey as War Machine, as foreshadowed in the first film. The Mandarin was also a hinted villain in Iron Man, but I didn't recognize the enemy above; I had to consult IMDb to determine that it is Mickey Rourke as "Whiplash". Whoever that is (I don't follow the comic book), it's better than rumors that Stark's villain would be alcoholism, as seen in the 1979 comic book storyline "Demon in a Bottle" — that plot was already handled by 2008's Hancock.

What are your thoughts for Iron Man 2? High hopes, or low expectations?

As we prepare to kick 2009 to the curb, it seems an appropriate time to review the films that marked the year. Building off my list from two years ago, here's a rundown of my theatergoing habits over time:

My visits to the cinema have been fairly consistent this millennium at just over a dozen outings per year. In 2009, films taken in ranged from the independent documentary The Accidental Advocate to the classic American Graffiti to an original take on Plan 9 From Outer Space. Of the few mainstream films I saw, the best were Star Trek (which composed three of my sixteen theatrical outings) The Soloist, and Up; good but not great include Harry Potter and the Half-Blood Prince, The Surrogates, Ice Age: Dawn of the Dinosaurs, and Night at the Museum 2; while the stinkers consisted of X-Men Origins: Wolverine and Terminator Salvation. Also of all the mainstream films I saw this year, the only original IP was Up.

There were a lot more films released than these few — 342, by one person's count. This enterprising individual has tried to compile all the year's releases into one montage. I don't know if his sources were limited to theatrical trailers, but he references some films multiple times, which makes getting around to all of 2009's contestants even more challenging. Some of the transitions and juxtapositions are clever, though:

What were your cinematic highlights of the decade's final year?

We are about to close what has been a difficult year for the acting community — not in terms of low box office sales or a lack of acting jobs, but due to the loss of many storied performers. Ed McMahon, Karl Malden, Dom DeLuise, Bea Arthur, Majel Roddenberry are among those who we lost.

As always, we here at Showbits send holiday greetings in a musical style perfected by the inhabitants of the Satellite of Love. I'd like to use that tradition to honor one of the great actors we lost this year, Patrick Swayze:

Here's yet another TV preview, this time for Family Guy, which two years ago performed its own rendition of Star Wars: A New Hope with its animated spoof episode, "Blue Harvest". Faster than LucasArts can pump out sequels, you can already catch the Family Guy's Empire Strikes Back, "Something Something Something Darkside", released today on DVD. Here's the trailer:

The timing of this DVD release means it's already available as a stocking stuffer (and in Blu-Ray, too!).

A sequel parodying Return of the Jedi titled "We Have A Bad Feeling About This" is planned.