Showbits

Though scoffed at by some as children's literature, the Harry Potter series has nonetheless made a fan of me, though not a hardcore one. I bought each book upon its release, read it once, then put it away, never to be re-read. In a way, my lack of fanaticism has prevented me from appreciating the degree of detail with which author JK Rowling has invested her world, as she rarely repeats herself, choosing instead to reward those who have dedicated themselves to her work.

But it took only a single reading for the sixth entry, Harry Potter and the Half-Blood Prince, to be my favorite book of all seven, so I had high expectations for the movie. I knew the constraints of the film medium would likely leave it wanting, and I was right — but even with that forewarning, I was still disappointed.

I enjoyed the book's depth of characterization, especially as we came to know many players we previously knew only by name and deed. But in the movie, the history of Voldemort, Dumbledore, and the titular prince are all emasculated, and the ending stripped of much of its tension and the opportunity for Harry to show how much he's matured. Further, one of the joys of the books is never knowing what trivial fact will later prove significant. With the hindsight provided by the movies now lagging behind the completion of their source material, I can say that I'm challenged to see how this movie sets up the story's conclusion in the 2010 and 2011 releases of the two-part Deathly Hallows.

If I find fault with the script, I am not so easily critical of its actors: Daniel Radcliffe, Emma Watson, and Rupert Grint continue to perform admirably, as they have since founding the roles in 2001. Perhaps it was because I had, less than a week earlier, experienced my third viewing of the new Star Trek film, but it was in watching Half-Blood Prince that I finally realized that Rowling has done with her protagonists what Gene Roddenberry did with his: created a balanced triumvirate. There is the cool, logical, dispassionate sidekick; an emotional, human counterpart; and the main character who looks to both for support, balancing their advice while still relying on instinct. I am not proposing a one-to-one relation with Spock, McCoy, and Kirk, but there is definitely a tried-and-true formula at work here.

The film makes good use of its minor characters as well. I was consciously aware that Ginny Weasley (Bonnie Wright) had zero lines in Order of the Phoenix, relegating her to annoying pouty faces, which is thankfully not the case here. And Natalia Tena is back as Tonks — but without the purple hair she featured in Order of the Phoenix, seems somehow less cute to me.

From a production standpoint, Half-Blood Prince left me with an observation I've never made about this film's franchise's previous installments: it has an excellent soundtrack. I don't just mean the recurring Harry Potter theme, but also the original pieces that swell dramatically at just the right points. Although composer Nicholas Hopper worked on this film's predecessor, that soundtrack didn't leave an impression. The last film to make me want to buy its soundtrack was Enchanted, which was a musical; for a non-musical to similarly motivate me is unusual.

I did not leave the theater disappointed; the action, acting, pacing, and soundtrack of Half-Blood Prince were together worth the price of admission. But fans of the books will miss what was left on the cutting room floor, and non-readers may find the plot a bit confusing without the underlying support.

I want to close by sharing a product of Emerson College (where I myself am a student), which collaborated with Warner Bros. to create this trailer that takes the unique approach of featuring no actual film footage, instead focusing on how Rowlings' fictional sport has influenced real-life athletes:

This summer will see the release of Transformers 2 and its Sunbow counterpart, G.I. Joe. They are two representatives of a trend to translate animated cartoons to live action, an effort that was not met with great success in the 1987 release of He-Man (starring Dolph Lundgren, Frank Langella, and Robert Duncan McNeill). Considering how poorly I received the 2007 Transformers film, I wonder if any animated property can result in a successful transition to live action.

Some enterprising fans are not waiting for big-budget studios to get their grubby mits on their childhood memories and are instead making their own trailers. Rather than cast second-tier actors, these independent producers have repurposed existing media and have masterfully manipulated them to their own ends, allowing for some creative and recognizable casting decisions.

First up is Thundercats, featuring the feline humanoids of the planet Thundera in a show that employs elements of both fantasy and science fiction to good effect. The Thundercats remind me of another team of super-powered beings… wolverines are cats, aren't they?

On July 28th, DC Comics releases straight to DVD the animated feature Green Lantern: First Flight, the latest in a series of such DVD hits. We previously saw Hal Jordan's superhero origins in Justice League: New Frontiers, the difference being the upcoming film focuses on his solo adventure, rather than part of a group. Regardless, I think it's time to take Hal in a new direction, don't you? And who better to take up the mantle than Nathan Fillion?

There's no guarantee that these adaptations would prove any more successful than others based on animated franchises — heck, they could still stink. But kudos to the folks who love and respect these characters for being the first to bring them to life.

(Hat tip to Superhero Hype!)

So I guess there was some sort of game on television last night, and it was supposed to be a big deal. Or something. I must've missed whatever it was — but when I woke up the next day, I found a bounty of newly-released movie trailers. Let's take a look at a few of the geekier ones.

First up is G.I. Joe: The Rise of Cobra. Though I'm encouraged to see one of my favorite actors, Dennis Quaid, the team he's leading does not have much chance to shine in this particular trailer. We see too little of the colorful heroes and villains like Snake Eyes (played by Ray Park) or Destro that made the cartoon so memorable.

Next up is the return of G.I. Joe's Eighties contemporaries, those robots in disguise, in Transformers 2: Revenge of the Fallen. Readers to Showbits will recall that I absolutely loathed the original film, and nothing in the sequel's trailer indicates a departure from that model — though the scope of the new robots piques my interest:

Finally, there's yet another adaptation of a television show, this one a live-action series from the mid-Seventies: The Land of the Lost. With few exceptions, almost anything Will Ferrell stars in is going to be a silly spoof, and this film looks to be true to that trend. Though the original series could definitely be described as campy, it was no Gilligan's Island, which this version appears to be:

The above movies are just three of the many upcoming films being adapted from television shows. Other trailers that debuted yesterday and are now available online include a mix of new and old:

• Star Trek XI, technically another television adaptation. (for the highest quality trailer, a 73.9 MB QuickTime version is available)
• Up, the latest Pixar film.
• Monsters vs. Aliens, also an animated film.
• Race to Witch Mountain, the classic Disney film remade with Dwayne "The Rock" Johnson.
• Angels & Demons, the sequel to The Da Vinci Code (although in Dan Brown's original books, The Da Vinci Code is actually the sequel).
• Year One, a Jack Black comedy set in the time of Moses. Both Michael Cera and David Cross of Arrested Development appear.
• Fast and Furious 4