Showbits

Whether it's my Superman dogtag or my Superman keychain or the contents of my bookshelf or the films I show in my classroom, it's not hard to discern my admiration for Superman and his embodiments. So it was inevitable, despite any lack of affection for Ben Affleck, that I see Hollywoodland.

I knew only that this film dramatized the death of actor George Reeves, who played Superman on the 1950s television show that I grew up watching. I did not know how Hollywoodland would do so, or if it would do so tastefully. As it turns out, the film is structured to parallel George Reeves' life with that of a fictional private detective, played by a famous actor I'd never heard of, Adrien Brody. The movie opens with Reeves' death and follows Brody's investigation into sasve, but also alternates with following Reeves' life from years before he was cast as Superman. The movie thus also ends with his death.

It's that past tense half of the film that the producers claim to be historically accurate, and while Brody is nonexistent, the facts he reveals and personalities he encounters are supposed to be true as well. Brody starts the show as a quiet mumbling type (which ironically is the kind of actor his character criticizes), but as the movie develops, so does Brody. We learn more about how he struggles with love, family, and self-identity, much as Reeves did. Though Superman may be the subject of the film, Brody is the star.

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