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Every now and then, something will pop up in an auction that sets geeks drooling. Whether it's an undiscovered Macintosh prototype or a famous movie prop, the chance to own a piece of history can drive us to extremes. But the combined fanaticism of Apple devotees and sci-fi fans will likely have more destructive potential than the Genesis device when this relic shows up on sensors: an early Macintosh Plus, given by Apple Computer Inc. to Star Trek creator Gene Roddenberry.

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LOS ANGELES, CA (December 18, 2008) — Actress Majel Barrett Roddenberry, beloved star of sci-fi phenomenon Star Trek, passed away early this morning surrounded by family and friends. Roddenberry was 76 years old. [Story continues on her son's Web site]

With the exception of her late husband, Gene Roddenberry, there may be no one who did more to promote the world of Star Trek than Mrs. Roddenberry, who kept "The Great Bird of the Galaxy"'s vision alive after he died in 1991. Television shows Earth: Final Conflict and Andromeda, both inspired by the works of Gene Roddenberry, were produced under her guidance. More visibly, she was the only actor to have performed on all six Star Trek series: as Number One in the rejected pilot for The Original Series, then as Nurse Chapel once it was picked up; as a voice actor on The Animated Series; as Deanna's mother, Lwaxana Troi, on The Next Generation and Deep Space Nine; and as the voice of the computer in TNG, DS9, Voyager, and Enterprise ("In a Mirror, Darkly"). Her final work before passing away from leukemia was to continue providing this continuity as the voice of the computer in the upcoming Star Trek film, originally set for release on December 25th, 2008, and now scheduled for May 8th, 2009.

There have been hundreds of people to contribute to the Star Trek legacy over the years, and I mean no disrespect to the likes of William Shatner, Alexander Courage, and Rick Berman. But without Majel Roddenberry, I suspect Gene Roddenberry's universe would've become something far different than it did. Thank you, madam, for the hope you gave us; may we prove worthy of you and your husband's work.

It's good just the way it is — don't touch it!" is the rabid response of many classic sci-fi fans. Yet just as George Lucas revisited his Star Wars, the original Star Trek is now also being remastered. As a special promotion of that project's results, "The Menagerie", a forty-year-old two-part episode, was screened this Tuesday and Thursday nights at select theaters nationwide. I reserved my tickets five weeks ago, and this Tuesday, I finally, eagerly took my seat.

The evening opened with a brief introduction by Rod Roddenberry, who reminisced on Star Trek's genesis and his father's efforts on same before sequeing into a brief overview of the TOS remastering effort. Some of this featurette I'd already seen on StarTrek.com, yet I wished it had run longer. In hindsight, I don't know how it could've without expanding its scope to celebrate all of Star Trek — but isn't that why we were all there?

"All" wasn't as many as I expected, though: I was surprised and disappointed by how not sold out the show was. Only one person represented Starfleet in full uniform (TNG era, but so what). Nonetheless, even if they didn't wear their geekery on their shoulders, it was comforting to share the company of those discussing the finer points of Trekdom while enjoying this morsel to hold them over until next year's film release.

"The Menagerie" is a repackaging of "The Cage", a rejected first pilot for Star Trek. I'd seen "The Menagerie" before, but not recently enough to recognize exactly what special effects were changed. Whereas only a veteran of the series might pick up on minutia, the delineation between old technology and new can otherwise be garishly blunt to the uninitiated. From that latter perspective, I observed nothing out of place; all the special effects were seamless.

Plotwise, we amused ourselves by spotting various inconsistencies, back when there was no continuity to be inconsistent with, such as Spock grinning with amazement at observing the local flora. Majel Barrett, who would later play Lwaxana Troi, Nurse Chapel, and the voice of the computer on all six series, here plays the first officer — though in just one episode, she didn't have the same opportunity to develop this character. Other character moments were also fun, such as Bones' propensity for sudden and passion speeches. It capitalized for me that, despite all the marvels, wonders, and tragedies the crew of the Enterprise encountered, they never became inured with it. Perhaps, in Roddenberry's vision for humanity's future, it's that sense of wonder that propelled us to the stars, and not vice versa.

The show ended with a brief preview of the second season of TOS, remastered. It reminds me that I had spent $25 for the two of us to watch one episode — a disproportionate cost compared with getting the entire first season on HD-DVD upon its release later this month. But I'm not interested in owning this series — only in sharing and experiencing it. My life was changed when I was introduced to Star Trek on September 28th, 1987. I appreciated the opportunity to return the favor and reintroduce the franchise's origin to the man who brought it to me — and so did he:

I enjoyed going back to those days of the "first" Star Trek Enterprise actors and reflecting on just how well they did acting and especially with the technology of the times for their special effects. As I said yesterday, "Gene Rodenberry was the Galileo and Jules Verne of our era all wrapped up in one." Going where no man has gone before is always more enjoyable with a friend especially when that someone is your son.

Today, on the anniversary of Gene Roddenberry's passing, StarTrek.com has a thoughtful tribute to the legacy of Star Trek's creator:

… with Star Trek he created an iconic mythology which has succeeded in providing popular culture with a common reference point for all things futuristic and achievable. ("Achievable" being what distinguishes Star Trek from Star Wars.) Because Star Trek has become so firmly planted in our collective consciousness, far-reaching ideas can more easily bubble to the surface and gain acceptance, as the optimists among us push forward to realize that vision of the future. Replicators, tricorders, bio-beds, cloaking fields, transporters, and even warp drive are all concepts being pursued today by scientists and innovators, even when overwhelming conventional wisdom would dismiss them.

The article goes on to posit that humanity could realize its great potential if we would set our sights on the stars and not on petty terrestrial squabbles over land and oil. I suppose that's what makes Star Trek science fiction…

This is it: the entire week has been building up to this. Star Trek: The Next Generation turns 20 today, having aired "Encounter at Farpoint" on Monday, September 28th, 1987.

How best to mark this event? What would be an appropriate climax to this week of commemorative blogging? I could reflect on how different my life would be had my father not sat me down to watch the latest iteration of the show he had grown up with. I could analyze the show's cultural impact, or wax poetic about its message of hope and optimism for humanity's future. I could take a serious look at its special effects, its genesis from Star Trek Phase II, or the franchise's future.

But I think the most dramatic impact the debut of two decades ago was on a most beleaguered class: the red shirts.

When TNG debut, it marked a dramatic change in Starfleet's taxonomy: red, previously the shirt color of security and engineering personnel, was now worn by the indispensable command track. Former redshirts the quadrant over breathed a sign of relief to receive their new uniforms, as in the era of the gold-dressed Kirk, a red shirt was the mark of death, with these expendable bodyguards suffering more away team fatalities than any other group. This trend wasn't just a popular misconception born of fear and superstition, either: courtesy StarTrek.com, a recent statistical study proves what an unfair lot redshirts have.

Not everyone appreciates the burden of being a TOS-era redshirt; in fact, some groups are downright insensitive. Courtesy TrekToday comes news of a health care company that promises its clients "the RedShirt Treatment". Independent Health promises that, no matter who you are, when you call, or what your problem is, you're pretty much screwed.

But that's okay, because even though death is final (unless you're Spock, Kirk, Scotty — or even Denise Crosby), Eternal Image will be the last ones to let you down. When you're ready for the final frontier, this Michigan-based funerary company will ensure you receive the honor normally reserved for photon torpedoes: to be buried or cremated in the Star Trek-branded funeral or urn of your choice. (Tip of the hat to Dayton Ward)

Star Trek is a story with powerful lessons for all of humanity. But most of all, The Next Generation offers us hope for change and for a better future — no matter your shirt color. So live long — or die trying!

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Also in the TNG at 20 series:

• T-Minus One Week and Counting
• To Everything, There Is a Season
• Where, Oh Where, Has My Little Spock Gone?
• The Human Condition
• The Voyage Continues
• But Don't Take My Word For It

The upcoming TNG complete series box set has a bonus disc of unique features, interviews, and documentaries. Though there is some unearthed arcana from decades ago, much of the material is retrospective in nature, created exclusively for this DVD collection.

It can be fun to look at the making of Star Trek: TNG as it was actually being made. Without the benefit of hindsight, documentaries that are as old as the show they're inspecting have a certain nostalgic quality. And who brings that magic to life better than LeVar Burton, host of Reading Rainbow?

Before (and while!) he was Geordi LaForge but after Kunta Kinte, Mr. Burton hosted this PBS children's educational series that explored the power of books, fiction, and imagination. He took advantage of being an explorer of both space and imagination when he brought the show he hosted behind the scenes of his "other" show. Now available on YouTube as a three-part series is that episode of Reading Rainbow.

So open the video — and open your mind.

Also in the TNG at 20 series:

• T-Minus One Week and Counting
• To Everything, There Is a Season
• Where, Oh Where, Has My Little Spock Gone?
• The Human Condition
• The Voyage Continues
• A Good Day to Die

Twenty years ago this autumn, I was a sophomore in college. I remember watching the premiere of Star Trek: The Next Generation (or TNG) with friends. While most of us were fans of speculative fiction, we had little idea of how entertaining and influential TNG would become.

I had grown up on the writings of Jules Verne, H.G. Wells, Isaac Asimov, and Arthur C. Clarke, but I had watched the original 1960s Star Trek only in reruns. During freshman year, I had fought for the dorm lounge television with people who preferred The Late Show With David Letterman over some old show with people wearing colorful pajamas, odd makeup, or both. But we were a small but dedicated band, and we made it to the stars. Among the friends I met then was my future wife.

Over the course of many late nights and foosball games, I learned about the United Federation of Planets, its Starfleet, and the Prime Directive that forbade its explorers from interfering in the internal affairs or development of alien worlds. The so-called "Wagon Train to the stars" combined Westerns with ray guns, and mythology with scientific speculation.

By the time TNG began, I was indeed a Trekkie — or "Trekker," as some prefer — having learned the cant among the franchise's fans: phasers, warp speed, and the Vulcan nerve pinch and salute. Of the eventual six movies with the space opera's original cast, the best two — Star Trek II: The Wrath of Khan and IV: The Voyage Home — had already been released. Thanks to magazines such as Starlog and various "technical manuals," I learned about transporters and Jeffries tubes (the access tunnels throughout starships, named after an original series art director). Around Thanksgiving of 1987, I would attend my first science fiction convention, one run by Creation Entertainment in New York.

It's also worth remembering the context into which this Enterprise was launched — that, despite the success of multimedia franchises such as Planet of the Apes and Star Wars, there was little genre entertainment on television at that time. As we look forward to 2007's premieres of Heroes, Lost, or Battlestar Galactica: Razor, among others, note that 20 years ago, there was only Stephen Spielberg's anthology Amazing Stories, horror drama Friday the 13th: the Series, and another Earth-based movie spin-off, Starman. Weak visual effects, even weaker writing, and a lack of interest among mainstream viewers and networks had doomed all but the U.K.'s Doctor Who to short lifespans or syndication.

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Star Trek is a tale not of aliens, technology, and anomalies, but of humanity. However evolved the future's citizens claim to be, they still find ways to learn and and places to grow. Though Worf or Data or even Wesley may've developed the most over The Next Generation's seven years, the hero I found to be the deepest, most complex, and most intricate was their guide through the stars: the very human Captain Picard.

As many commanding officers do, Jean-Luc Picard initially came across as a stiff and remote authority figure: barking orders, didactically lecturing his crew, and providing an extremely straight man for the tomfoolery of Q. But when Picard was given the opportunity to not be a foil but take the center stage for himself, his humanity truly shined.

Though we met almost everyone else's parents and children, Picard had neither. Yet it was his estranged relationship with his brother Robert that we found most empathetic. This wasn't an unknown child appearing on his doorstep or a licentious mother causing him embarrassment; it was two siblings — one who stayed in the family business, the other a prodigal son. That very basic bond is one with which many of us have struggled, and though we'd hope to overcome such issues by the 24th century, it gives us hope to see a man as great as Picard overcome them.

It is one of many trials Picard faced in his time aboard the Enterprise. He lived decades in an unreal life — separated first from his starship family, then from the one he came to love. He was given the chance to put right what once went wrong, only to see the entire tapestry of his life come unravelled. He loved one woman, only to have duty take her away; he loved another, only to give her away himself. Despite a broken heart, he was held prisoner, tortured to the point of a broken mind.

And, of course, there was Wolf 359: where he was a mere onlooker as his own mind and body were used to send hundreds of his fellow Starfleet officers to their deaths. How does any man — not an android, not an empath, but just a man — overcome so much tragedy?

I don't know — yet Picard did so, and somehow became stronger for it. And he showed his unwavering spirit in his love for Shakespeare, archaelogy — and his crew. The most brilliant Star Trek short story I ever read was "The Promise", by Shane Zeranski, which I will spoil for you by quoting Picard's breakdown when he realizes, after thirty years, he may never leave Kataan:

I loved them… and I never told them. I never told a one! Not Data, not Worf, not Riker… not even Beverly. And now they're gone and I'll never see them again! I always — expected that… that I might, but — but I won't… If only I could see them — just once more, just… once… more! They were my family… my family… and I've lost them.

I can hear each of these words come from Jean-Luc's mouth, and they speak of a man wracked with a despair that can come only from a deep and powerful passion. Picard engages in the full range of human experiences, from joy to sorrow; it is this fearlessness with which he faces his own nature that exemplifies Star Trek as an exploration not of mapping stars and studying nebula… but of charting the unknown possibilities of existence.

The full breadth of Picard's character is demonstrated in the videos presented after the jump:

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