Showbits » Lord of the Rings

The Hobbit trailer, real and literal

Ken Gagne — Wed, 11 Jan 2012 23:36:45 +0000

I'm a fan of The Lord of the Rings — the movies, not the books — and not obsessively so. I saw each of the three movies the weekend they were released, followed by the director's cuts back-to-back in a marathon session seven years ago. But the tale didn't begin with Fellowship of the Ring, and neither did the marathon: we started with Rankin's animated movie, The Hobbit, which I'd seen many times as a child. It's a fun movie and the best in an overall poor series of animated adaptations of JRR Tolkien's books.

It seems the only way we'll have the complete tale in a single medium, animated or live action, is to target the anomalous entry in the above marathon for replacement. Peter Jackson is happy to oblige beginning December 14, 2012, with the first of the two movies, the first being The Hobbit: An Unexpected Journey.

This is not technically a prequel, as it was written before Fellowship, but it is indeed set many decades before that 2001 film. Some things remain constant, however: just as the previous trilogy is greatly enhanced by RiffTrax, so too has The Hobbit already begun attracting its satirists:

Like the literal trailer and its lyrics? You can get the song on iTunes for only 99 cents! Good grief.

I eagerly await this return to Middle-Earth and all the good humor it portends.

(Hat tip to Mary House and Know Your Meme)

How It Should Have Ended

Ken Gagne — Sun, 02 May 2010 16:37:02 +0000

Film directors must work with an intrinsic limitation: whatever story they've set out to tell, they have only two hours in which to tell it from beginning to end. Wrapping everything up in time sometimes requires either a deus ex machina or a dramatic climax that strains readers' suspension of disbelief. Given that we checked such logic at the door, it's rarely a problem to continue accepting the movie's reality up until the end credits — but does that mean it couldn't have been done even better?

How It Should Have Ended is a series of animated re-imaginings of popular film endings. Having assumed you've seen the original film, the shorts present their own interpretations of key points of the stories, resulting in dramatically different endings. The series was started as a fun side project that non-viability threatened with extinction; fortunately, Starz media network provided HISHE's creators with the incentive to keep going.

With Iron Man 2 due out in a few days, it seems timely to review its predecessor's conclusion. That last battle always did strike me as a bit forced. Here's how Iron Man should have ended:

The confab with Superman, Batman and Spider-Man is a running gag that alludes back to earlier videos.

Not all HISHE shorts are consistent within their films' universe; sometimes, their non sequiturs apply a sort of meta-awareness of Hollywood. A good example is how Star Trek should have ended:

I imagine hardcore fans might not cotton to their favorite films being parodied in such a manner — the Lord of the Rings spoof is especially threatening to such fanboyism — but we're here to enjoy ourselves, and anything that uses film to get us to laugh at ourselves as well is a means to that end. Check out HISHE's full library of over two dozen reinterpretations. What film ending would you like to see added to their collection?

Summer Shorts: The Hunt for Gollum

Ken Gagne — Sat, 06 Jun 2009 16:00:06 +0000

Hot on the heels of yesterday's Dungeons & Dragons short is another fantasy epic, the length and quality of which is in sharp contrast to Choices. The Hunt for Gollum, released on May 3rd, is a prequel set just before the beginning of The Fellowship of the Ring. At 40 minutes, it stands at the long end of "short", such that it exceeds the constraints of a single YouTube video. The entire film is available as a single high-definition viewing on the official Web site, but here it is divided into four separate videos, compiled into a single playlist:

This film most impressed me in its ability to echo Peter Jackson's trilogy in look, which required not only casting talented look-alikes as Aragorn and Gandalf, but applying high-value costumes and makeup. This could not have been cheap, but the end product benefits from the investment. I speak from experience what a difference such dedication can make. I once appeared in an independent fantasy film called Tomorrow's Night. Whether or not that movie was ever released, I don't know; it may be best if it was shelved, as unlike the low-budget films featured this week, Tomorrow's Night was no-budget.

Tomorrow's Night features Ken Gagne as the guy in the potato sack." title="Tomorrow's Night" width="225" />

The no-budget Tomorrow's Night features Ken Gagne as the guy in the potato sack.

What impressed me less was the script itself. As a prequel, The Hunt for Gollum neither fills necessary gaps nor leaves room for surprises. It can end only so many ways without disrupting what's to follow in J.R.R. Tolkien's well-known trilogy and Peter Jackson's popular adaptation of same. What we get instead is a lot of running around and fighting. Fortunately, that's what Hunt does best, as the choreographer and characters obviously know what they're doing. This film may lack the heavy-handed morality of Choices, but I far prefer it for its ambition and subtlety.

If the idea of an untold tale of LotR doesn't sit well with you, there is some relief to be found in the pending live-action adaptation of The Hobbit, which Peter Jackson is writing as two films. It was originally believed that the second of these films would be an original story filling in the sixty years between the conclusion of The Hobbit and the commencement of Fellowship. Fortunately, Mr. Jackson recently clarified: "We decided it would be a mistake to try to cram everything into one movie… [This] allows us to make The Hobbit in a little more style, if you like, of the [LotR] trilogy."

In part, Independent Online Cinema has done with The Hunt for Gollum what even Peter Jackson would not. Thank goodness to online media for giving us a place to be bold and experimental.

Bored of the Rings

Ken Gagne — Tue, 16 Oct 2007 17:00:47 +0000

R. A. Salvatore once opined to me that today's readers grew up predominantly with the visual medium of television. Accustomed to quick action and short narratives, they don't need the amount of detail that J. R. R. Tolkien invested in his novels.

If so, maybe that explains that why I can't bring myself to read Lord of the Rings. Believe me, I've tried, at a variety of points in my life; but no matter how (im)mature I am at the time, I just couldn't get into it. I'm not against the concept, though; like with Shakespeare, I just need the story delivered in another medium.

So combine LotR with comic books, add an acerbic wit, and what do you get? The DM of the Rings, a web comic that uses stills from the live-action films to theorize what LotR would be like played as a Dungeons & Dragons game. Observe as the party is railroaded to key locations:

Indulge in out-of-character conversations on the slopes of Mt. Cahadras …

	… Dread the coming denizens of the Mines of Moria …
and resolutely defend the residents of Helmsdeep.

This satirical narrative encompasses the entire film trilogy but focuses on Aragorn's party and their perspective on the second and third films. As a former role-player myself and current fan of the Knights of the Dinner Table comic book, I loved this unique and irreverent take on a classic tale. A couple of marathon sittings will make an enjoyable experience of its 144 strips. When you're done, go behind the scenes in Fear the Boot's interview with the comic's artist, Shamus Young. You may also enjoy Darths & Droids, a similar approach to Star Wars Episode I.

(Tip of the hat to Showbits reader GeneD.)