What is less often considered is the six series as a united whole, and the impact the prequels have on the original trilogy. Have you ever watched all six movies not in release order, but in chronological order? If so, did you notice some things that didn't make sense before suddenly take on a whole new meaning?

One creative author has organized all those threads into a logical supposition. In Keith Martin's reconsideration of Star Wars IV in the light of I-III, two characters that have always been fan favorites are cast in unexpectedly prominent yet subtle roles. Think the heroes of this film were Luke Skywalker and Han Solo? Think again. As unlikely as this casting is to be canon, it's an imaginative — and seemingly plausible — interpretation that gives George Lucas' galaxy more depth than even he intended. If you have time to read this 2,299-word dissertation, you won't be disappointed.

One point in the above essay that I had to question: was the Millennium Falcon anywhere in the prequel trilogy? I don't remember. I know it defended Earth from the Borg, roughly a century after R2-D2 went up against the Romulans. So it's entirely possible these characters would show up unexpectedly in their own franchise.

(Hat tip to Rotten Tomatoes)

I've not seen George Lucas' new animated entry into this storied series, but I do wish to take exception with those who suggest it's the fourth consecutive instance of the distant galaxy's creator flushing the franchise down the drain. Sure, the bar was set high, with Episodes IV and V earning an average rating of 96%, again on Rotten Tomatoes. But Return of the Jedi sunk to 74%, which provides good company for the three prequels, which garnered 63%, 66%, and 79%, respectively.

Even without comparing the prequels to their older siblings, there's still much to like. I won't dispute the obvious, like Jar-Jar's presence making light of a trilogy that, by its very subject matter, should be dark. But too often, the hate that is harped on these brilliant examples of all that is wrong with Star Wars overpowers the moments that truly shine.

Take Attack of the Clones which ends with a battle that's worth the previous two hours. Before then, we'd only ever known the galaxy's oldest Jedi as a shriveled Muppet on his death bed. Here, we learn Yoda is a force (no pun intended) to be reckoned with on so many levels.

That is one of only several jaw-dropping lightsaber battles to grace the trilogy. Whereas Jedi were scarce in the original films, Episodes I-III brought them out en masse. The Phantom Menace gave us the excellent music and choreography of "Duel of the Fates". Not only was the battle set to a song I always wished to be in the choir for, but it was the first battle against a prequel-exclusive Sith lord — and one equipped with a heretofore-unknown variation on the light saber! Now that's how to kick it up a notch.

Remember this? I thought so.

We've already commemorated the impact made by the original trilogy's simple yet stellar tale of good vs. evil. The prequels are more complex, in where they were coming from, where they had to get to, and audience reception and interpretation. I submit that among those variables are many kernels of quality. Another site offers 11 concrete reasons for that supposition; I encourage you to rewatch the films and come up with your own.

(Hat tip to TheForce.net)