Will the fourth film continue the slide into mediocrity? It's too soon to say, but I found its trailer — in essence, a stand-alone animated short — as cute and quick as ever. Well in advance of the film's release next year, it is now available for free online:

What are your hopes for this series? Did you already stop counting after the first or second film?

Many animated shorts eschew dialogue completely while nonetheless making impressive use of audio. The Passenger takes it a step further by incorporating sound as a central plot element. As for the visual inspiration, the titular passenger looks like an inhabitant of Oddworld, a video game published in 1997 by GT Interactive. That company was purchased in 1999 by Infogrames, a company this short's creator worked at until 2000. Coincidence? Probably.

The Passenger is available on DVD with multiple extras for $18.11. Though I believe artists should be rewarded for their work, $18 for a seven-minute film is a tough sell when you can often get a 90-minute production for the same value. But when you consider that, from conception to release, the film took eight years to craft, that's less than five cents a week to watch the film (and considerably more to render it). If you enjoyed spending seven minutes on this blog post, what do you feel is the best way to appreciate the artist?

Last summer, I offered an alternative: Summer Shorts, a series of free, independent films. Every day for a week, Showbits presented a different video you could watch at home right here on this blog. Although lacking the budget and length of major film productions, these shorts offer a refreshing creativity that is seldom found in sequel-ridden Hollywood.

This summer, Showbits will again present Summer Shorts, but in a new format. Instead of one post every day for a week, we'll offer one film every Friday for the entire summer. If the blockbuster season can last that long, then so can we! This schedule will also allow us the opportunity to continue publishing on diverse topics between shorts.

The series begins this Friday — so sit back, relax, and kick off your summer shorts!

Now, RiffTrax, with guest star Weird Al Yankovic, is getting into the spirit of the season with a reprise that puts various holiday specials under the scrutiny. RiffTrax Live Christmas Shorts will perform the evening of Wednesday, December 16th, with a recorded repeat the following night. Judging from the trailer, the lineup appears it may be a mix of both new material and old, such as the public domain short "A Visit to Santa":

I ordered my tickets at $11 each, which is pretty standard for a moviegoing experience nowadays. RiffTrax offers a better value for the money than any other film, though, as the two-hour showing sends you home with a code good for the download of a RiffTones holiday song, two of the evening's shorts, an autographed photo of the riffers, and a holiday desktop wallpaper.

So get into the holiday spirit with this family-friendly evening of comedy!

Technology has progressed such that now anyone can make a quality film, and the Internet has provided these budding directors with the tools to get their films seen by the masses. Showbits has already featured many independent films worth watching, such as Star Trek: Of Gods and Men, The Blacksmith and the Carpenter, and variations on the superhero Batman.

To commemorate and promote these independent films, each day for the next week, I will be posting one such movie to the site. You'll see a variety of short films, ranging in length from ten to forty minutes and in topic from fantasy to science fiction to romance. Regardless of the theme, each film has elements in common: clever scripts, ambitious design, impressive production values, and free distribution.

So sit back, relax, and kick off your summer shorts!

This short film's protagonist is one with whose situation I can empathize: a typecast "character actor", always the supporting actor but never the lead. In the tradition of "be careful what you wish for", everyman Andy Shrub blows out his birthday candle with the hope of looking more like a leading man… more like John Stamos. Lo and behold, his wish comes true in a most unexpected fashion: his real-life visage doesn't change, but his appearance on camera shows a John Stamos body double. When he uses this newfound talent to his public advantage, the real John Stamos finds out — and he wants his fame back.

It's an amusing and clever tale with some big names (John Stamos, Clint Howard, E.E. Bell) and a low budget. Shrub and Stamos are sometimes face-to-face in a shot framed such that we the audience can also see the perspective of the camera, giving us two takes on the action: Shrub vs. Stamos, and Stamos vs. Stamos. Since no on-the-fly image substitution technology was employed, the choreography necessary to synchronize these two shots must've required extensive rehearsals and takes. The final product is impressive.

The story also offers commentary on the politics of showbiz. Andy Shrub is precluded the opportunity to even audition for a major role based solely on his looks. Is that fair? Celebrity rags are littered with pretty faces who don't have the brains to put on a decent performance, which is certainly to the audience's detriment. There's more to knowing your craft than the shape you were born with. The irony is that, once Andy Shrub lands himself his dream role, he proves himself to have little acting talent. But now he has the looks, and that's enough to get him the part.

I could embed the video here, but it has six instances of the f-word. Though such vulgarity in the film is contextually appropriate — this is Hollywood, after all — I prefer to keep this site clean in deference to my anonymous audience. You can therefore watch it on YouTube, or as a non-downloadable QuickTime movie on director Rob Meltzer's site.