Showbits

With still six months to go, Star Trek XI has already traveled a long road. The intention to develop the property was announced in April 2006, with the first poster coming out in June of that year. JJ Abrams (Lost, Alias, Mission Impossible III) signed on to direct in February 2007, and filming began in November 2007, with a wrap date of March 2008. The film-footage-free teaser trailer was released before Cloverfield in January 2008, back when we thought we'd be revisiting Roddenberry's future as early as this Christmas.

Now, with less than half a year until the May 8th release, the veil of secrecy under which the Star Trek reboot has until recently been conducted provides us with our first significant glimpse of what awaits in the form of this full-length trailer:

I was sorely tempted to not indulge in this trailer at all; if its purpose is to sell me on the film, then its very existence is superfluous. Why not leave that many more surprises until its silver screen debut?

But I'm glad I watched it, and gladder still that it is completely spoiler-free. Almost nothing of the plot or obstacles are revealed, leaving us instead with a more general look of the actors and their environment. I confess that even that little is not what I expected. The Enterprise has always faced the final frontier with a sense of wonderment, though here we find it in not the seasoned and mature crew of TOS, but a younger and less experienced crew. As a prequel, that only makes sense, but I worry that too much rebellious angst will fill the film, as suggested by the conflict between Kirk and Spock. Also, seeing Kirk on two classic means of locomotion lends an even lower-tech feeling than its temporal predecessor, Enterprise.

Other than these minor points, I have a surprisingly nondescript reaction. The fast-paced nature of the trailer left little opportunity to assess the characters in their roles, or even to get a good look at their ship, within or without. I find myself neither more eager nor more anxious about the fate of the franchise; only the final film will allow me that judgment.

A recent article on CNN.com reminded me that the Web holds a bounty of fan films based on the various Star Trek properties. This wasn't necessarily news to me: I'd once tried watching an episode of New Voyages, which aims to continue the five-year mission of the original Enterprise, but couldn't get past the recasting of the original stars. William Shatner's portrayal of James T. Kirk was too engrained in my mind for me to accept anyone else in the role; even in science fiction, suspension of disbelief has its limits.

But to see on CNN that this series won TV Guide's 2007 Online Video Award for Best Sci-Fi Webisodes, chosen over Battlestar Galactica, suggested I should look again. I'd thought the only way to watch New Voyages episodes was via streaming video, which I generally eschew — but poking around their Web site revealed a slightly preferable BitTorrent option. The episode I selected for our reintroduction was "World Enough and Time", written and directed by Marc Scott Zicree (author of "Far Beyond the Stars", possibly my favorite DS9 episode).

Again, I was assaulted by the casting of anyone but Shatner and Nimoy as Kirk and Spock, but this time I persevered. I'm glad I did, as even if the actors didn't nail the parts, I can't blame the writing, which comes across strongly. The sets are on par with the original series (which, despite being 40 years later, is pretty good for a fan film — authentic, too), and the sound effects and CGI are fluidly incorporated.

But the star of the show is none other than George Takei, playing the role of an older Sulu. Rather than looking out-of-place, this temporal anomaly is written into the story in flawless Trek fashion, in the spirit of "Time's Orphan". For this actor to have taken time away from Heroes to so accurately reprise this role for a free Web series speaks volumes of the integrity of both Mr. Takei and New Voyages. Yet newcomer Christina Moses almost steals the show, capturing the awe and innocence of a first-time space traveller with earnest mannerisms and subtle body language. As hard as the recast TOS icons worked, their best role was to frame these two actors' characters and performances. Altogether, the cast and story made every minute of the one-hour episode worth watching.

Looking through the episode list, it appears New Voyages' other offerings are equally star-studded. Story authors include David Gerrold (author of "The Trouble with Tribbles") and Dorothy Fontana (author of "Encounter at Farpoint", "The Enterprise Incident", and more), while among the actors are Walter Koenig as Pavel Chekhov and J.G. Hertzler as Harry Mudd.

The CNN article neglected to make a timely mention of a similar project: Star Trek: Of Gods and Men, which finally debuted today. This feature-length production can hardly be called a "fan film" when you consider its weighty cast: Walter Koenig (Pavel Chekhov), Nichelle Nichols (Uhura), Grace Lee Whitney (Janice Rand), Lawrence Montaigne (Stonn from "Amok Time"), Gary Graham (Ambassador Soval), Alan Ruck (Captain John Harriman), Tim Russ (Tuvok), Ethan Phillips (Neelix), Garrett Wang (Harry Kim), J.G. Hertzler (General Martok), Cirroc Lofton (Jake Sisko), and Chase Masterson (Leeta) — as well as some alumni you won't recognize: Crystal Allen (an Enterprise Orion slave girl), William Wellman (a DS9 Bajoran officer), and Daamen Krall (a voice actor for the Star Trek: Starfleet Academy video game). Even "World Enough and Time"'s Kirk and Spock make appearances in other roles.

This dark, "Yesterday's Enterprise"-style mashup is every Trekkie's dream, though I worried it would've suffered from lengthy delays: the film was originally to be released back in April, and even now, only the first third, weighing in at 26 minutes, is available in low-quality streaming video. (Watch for a higher quality version once opening weekend demand dies down.) But what I've seen so far has me eager for more. These experienced actors are so comfortable in the Trek universe that watching them find new ways to play in it is a win-win for both sides of the camera.

The varying yet surprising quality of these "webisodes" has me looking at J.J. Abrams' pending TOS reboot in a new light. Both "World Enough and Time" and Of Gods and Men have demonstrated that a tight script and a talented cast can deliver an excellent story, regardless of the characters or the setting. But when that promise is exemplified best by Star Trek alumni, as is the case with the above two films, the concept of recasting the characters we know and love becomes a questionable proposition at best. I'm a bit more cautious now about the Christmas 2008 release — but I now know that, thanks to talented fans and actors, I have a wealth of new adventures to tide me over in the meantime.

After a week of blogging about Star Trek: The Next Generation, you might get the impression it's my favorite of the Trek series. Even I haven't decided if that honor belongs to TNG or DS9 — but definitely not in the running is TOS.

That's not an indictment of the show's datedness or lack of quality, but more simply a lack of exposure. The Original Series' debut predates my own by a decade, and since it has the least number of episodes of any Trek series and I cancelled my TV service eight years ago, it's simply not something I have much opportunity to watch. But I love the characters and have found that Kirk, Spock, and McCoy make for much more captivating novels than any other crew (especially Voyager's — blech).

Now comes the opportunity to watch The Original Series in a way previously afforded to only The Next Generation: on the silver screen. As a promotion for the November 20th HD-DVD release of Star Trek Remastered, the updated "Menagerie", which features footage from the rejected pilot "The Cage", will be shown in 300 theaters nationwide the evening of Tuesday, November 13th. "The two-hour screening includes a special introduction by Eugene 'Rod' Roddenberry, son of Star Trek creator Gene Roddenberry, plus an exclusive behind-the-scenes look at the making of the Remastered series," says StarTrek.com, which has links to both the press release and theater listings. (Yet another tip of the hat to Dayton Ward)

"The Menagerie" is one of the few episodes I have seen of TOS, but not like this. I already have my tickets and will my calling my father shortly to introduce him to this event, just as he did me to TNG two decades ago. If you've never seen Trek before, this might be the franchise entry point you've been looking for.

It was the best of generations, it was the worst of generations. Finally, after so many years, Star Trek was returning to our homes. The excitement was tangible: the teaser clips showed this wonderful (albeit strange-looking) new Enterprise, one that made Kirk's Enterprise seem like the family runabout. But never mind all that — it was Star Trek!

However, not all was breathless anticipation. All our favorite characters were gone. (Or so we thought!) How could it be Star Trek without Spock? And what on Earth(!) was this rumor that a Klingon was part of the crew!

Nevertheless, when the big night finally arrived, wild horses couldn't have dragged me away from the TV! In the opening sequence, I mourned the loss of the haunting theme from the original series and groaned at the politically correct change to, "Where no one has gone before…" And as the episode progressed, my fears deepened as it turned into the type of episode I always liked least — some omnipotent being ("Q") was playing havoc with the laws of time and space. I wanted science fiction, not fantasy!

But there were highlights, too. It almost brought tears to my eyes when Admiral McCoy came aboard, providing a physical, connecting link to the past. (Little did we know that Spock and Scotty would also reappear.) The new Enterprise was a work of art, much more streamlined than the old model (so very important in the vacuum of space…), though it still suffered from the same inexplicable ability to provide seatbelts for the bridge crew! The computer still had the same wonderful "voice", another link with the past. The computer consoles were beautiful, as was Counselor Cleavage, err, Troi.

Eventually the episode ended, and for all my misgivings about the changes (Data was no Spock!), I knew I would be back next week. Well, mostly. I'm ashamed to admit I missed some of the early episodes, but a strange thing happened as the series progressed. I found I was growing to like the new characters in their own right, and I was enjoying their interactions and personalities. And an even stranger thing happened. My wife, a profoundly non-SF person, was also enjoying the series. (It didn't hurt getting to watch Will Riker each week!) They had managed to make the show appeal to more than just the Trekkies out there.

The rest (of the future of the future) is history. The Next Generation (and the other Star Trek spin-offs) were not the prime-time success in Australia that they were in the USA, leading to unusual broadcast schedules. I was often forced to watch or record episodes at midnight (or later!) — but watch them all I did. I grew to love the show, and like many people I believe it was the best of all the Star Treks. Certainly I grew to feel that the crew members were part of a family, one I was almost a part of myself. I laughed with them, worried for them, and yes, even cried with them. Picard was an outstanding captain — far better than Kirk, IMHO. Worf taught us all about "honor". And Data was a wonderful character for the scriptwriters to "play" with.

But he never did supplant Spock as one of my favorite non-humans of all time.

Peter Watson is old enough to remember watching the original Star Trek at home in Australia in glorious black-and-white. As a software engineer he gets to hang out with other people who know something about Star Trek. Visit his Web site at http://www.peter-watson.net/

Also in the TNG at 20 series:

• T-Minus One Week and Counting
• To Everything, There Is a Season
• The Human Condition
• The Voyage Continues
• But Don't Take My Word For It
• A Good Day to Die

Star Trek: The Next Generation was the first Star Trek to enjoy a full, cancellation-free run. This October 2nd, its 176 episodes will be available in a new box set (watch the trailer, read the press release). Though $40/season is a fair deal, $278.89, after shipping, is still no small amount of change. And, as Trek Nation has been recently reminding us with their retro reviews, some entire seasons of TNG have not aged well.

There are many ways to separate the wheat from the chaff. Various fan collectives offer thematically-related content, so if you like time travel or Q, you're bound to be satisfied — unless you dwell on what these packages miss, such as "Future's End". For my money, The Jean-Luc Picard Collection is the best value, as I prefer episodes that offer not an anomaly of the week, but significant, focused character development. "Tapestry", "Darmok", and "The Inner Light" are worth their weight in latinum, and with the former two both coming from season five, perhaps that is the series' best season. Other fifth-season episodes "I, Borg", "The Perfect Mate" (another Picard episode, and one which first unites Patrick Stewart with Famke Janssen, prior to their X-Men team-up), Spock's return in the two-part "Unification", and the first half of "Time's Arrow" supports this theory.

But only with the new, complete DVD collection can you get all the above along with gems like "The Best of Both Worlds", "Yesterday's Enterprise", and "Relics" — so if you have money to burn, take the good with the bad and splurge on all seven seasons (plus exclusive features and documentaries). But if you don't, then what season (or fan collective) do you recommend, and for what episodes?

Also in the TNG at 20 series:

• T-Minus One Week and Counting
• Where, Oh Where, Has My Little Spock Gone?
• The Human Condition
• The Voyage Continues
• But Don't Take My Word For It
• A Good Day to Die

October 4th marks the 50th anniversary of the launch of Sputnik. A year after Russia beat America into space, the White House responded with a document, Introduction to Outer Space, urging America to win this race:

The first of these factors is the compelling urge of man to explore and to discover, the thrust of curiosity that leads men to try to go where no one has gone before. Most of the surface of the earth has now been explored and men now turn on the exploration of outer space as their next objective.

"Where no one has gone before…" Gene Roddenberry took these words to heart, and less than a decade later, he went there — and brought the world with him.

His original Star Trek, which turned 40 last year, may not initially have been a commercial success; but its successor, true to its title, inspired the next generation of television viewers to look up. The passion the Star Trek franchise has stirred in its audience has proven timeless, and its impact on not just our popular culture, but on our scientific progress, is immeasurable. One space industry executive wrote, "We are in the commercial space flight industry and would like to testify that at least one out of two of all the actual entrepreneurs involved in this industry has been inspired by Star Trek."

Though Kirk, Spock, and McCoy marked the beginning, it was Picard, Riker, Data, and company that cemented the franchise in our hearts and souls. And we here at Showbits cannot fail to observe the beginning of that golden era.

September 28th marks twenty years since Star Trek: The Next Generation first aired. To commemorate this historic anniversary, we'll be blogging about Star Trek every day this week, culminating on Friday. We'll be providing news, retrospectives, analyses, and more. They'll be fun, nostalgic, thought-provoking, and who knows what else. So please join us on this wagon train to the stars… The sky's the limit!

Also in the TNG at 20 series:

• To Everything, There Is a Season
• Where, Oh Where, Has My Little Spock Gone?
• The Human Condition
• The Voyage Continues
• But Don't Take My Word For It
• A Good Day to Die

The June/July issue of Geek Monthly has a cover story on what a great year 1982 was for geeks. We may not have noticed it at the time, but it is astonishing what a plethora of great sci-fi films came out all in that one year. Unfortunately, some of these films I did not see upon their initial release, and some are not as great today as they were 25 years ago. Nonetheless, here in brief is my rundown of their list:

Star Trek II: The Wrath of Khan
Considered "the zenith of the Trek feature films", I agree this film began the even-numbered successes that persisted until Nemesis. The tie-in to the original series, Ricardo Montalban as the villain, and the ending were all fantastic facets… but for all that, I still think I prefer the more lighthearted The Voyage Home.

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This week, I finally tackled Crucible: Provenance of Shadows, the first in a trilogy of books that independently examines each of the three main characters of Star Trek: The Original Series. At three times the length of most Trek novels, Crucible initially intimidated me — but with the Spock's book now out, and Kirk's due next month, it felt time to get cracking on McCoy's installment.

I'm enjoying the book thoroughly, and I'll go into more detail why once I've finished it. But I thought it worth writing today in memory of the actor who brought Bones to life, as today would've been his 87th birthday. It was a sad day eight years ago when DeForest Kelley was the first of the Enterprise's crew to pass beyond the galactic barrier, where he's since been joined by James Doohan. But as I read Crucible, it brings Mr. Kelley's performance back to life in a very real way. It's probably expected of today's Trek actors, but I doubt forty-one years ago, the crew of the Enterprise's maiden voyage realized they would be immortalized, with countless untold stories yet to be discovered and explored, in novels, comics, films, and fiction for decades to come. I can't imagine how different a scape our imaginations would be, had any other actor come to personify Leonard McCoy. I hope novels such as Crucible continue to do his legacy proud.

I regret that I'm not a bigger fan of westerns, as it seems that genre is where Mr. Kelley can most be seen outside the realm of Star Trek. Can anyone recommend some of his films?

Fortunately, he was more than an actor, as today I was delighted to discover a trilogy of Star Trek poems written by the late doctor. "The Big Bird's Dream" presents a rhyming narrative of Gene Roddenberry (whose nickname was "The Great Bird of the Galaxy") and his efforts to realize his screenplay dream. Be sure to follow the links to the two sequel poems as well.