Computerworld partnered me with security maven Angela Gunn to produce a series of articles on a topic of mutual interest: geeky films. To make it appropriate for our employer's audience, we dissected the IT in films, she from a security perspective and I from a cinematic one. We wrote three such articles before Angela found employment elsewhere.
Movies are not a core topic for an enterprise IT magazine, so the series was put on the backburner. Fortunately, I recently found a new co-author with whom to collaborate. Bill Brenner of CSO Online, a publication affiliated with Computerworld, and I decide to revive the "Security Goes to the Movies" brand with a few changes. Instead of writing in two voices with one commenting on the other, we tried integrating our commentary into a consistent tone, making for a less jarring reading experience.
Our first outing was to see Iron Man 2 opening night with former Computerworld copyeditor Gene Demaitre, with whom I wrote the similarly cinematic IT piece, "Do Sci-Fi Films Get Advanced Tech Right?". Angela and I had reviewed the original Iron Man, and I was eager to put its successor to the same scrutiny.
The first fruit of this labor is now online:
The summer blockbuster season officially kicked off last Friday with Iron Man 2, an action-packed superhero flick that had the fifth-highest-grossing opening weekend in Hollywood's history. Whether you like the movie or not, at least one thing about it rings true — the plot and the characters provide a striking reflection of today's tech security industry.
Marvel's metallic superhero was first portrayed on the silver screen by Robert Downey Jr. in 2008's Iron Man. In that film, playboy industrialist Tony Stark has a crisis of conscience and brings the manufacture of weapons at his defense company to a halt. To chase down terrorists who have misappropriated his munitions, Stark builds himself an armored, weaponized exoskeleton suit (that can fly!) and becomes Iron Man, making his invention an object of desire to military profiteers.
The sequel is much the same, with more villains, more conniving and more suits. A montage catches us up on what's happened since the previous movie: With no country's military able to match Iron Man's technological superiority, Stark's vigilante action and deterrent policy have brought about a worldwide détente.
Since Stark is the only person who knows what makes Iron Man tick, the world's security rests entirely in his hands. Not surprisingly, the U.S. government wants to reproduce the Iron Man suit for its own militaristic purposes; the debate over private vs. public security forms one of the movie's core conflicts.
One passage was rightfully left on the cutting room floor as it had little relevance to security technology, but Showbits readers may find it helpful to know:
There is a scene in Monaco in which Stark acts heroically without his suit, underscoring the fact that superpowers do not a superhero make. But the pendulum swings both ways, as later, we see an armored Stark making an ass of himself, akin to the Iron Man comic book plot "Demon in a Bottle." When he does battle evildoers, the film focuses tightly on the action, which provides less context for the overall scene; had the director pulled back on the camera a bit more, we'd have a better grasp of what's happening when.
Have you seen the film that kicked off the summer blockbuster season? What did you think, from any perspective?