Whether your favorite captain is William Shatner or Chris Pine, a Shakespeare-quoting Frenchman or a lady with a bun of steel, Gene Roddenberry's Star Trek is sci-fi at its best — and sometimes its worst.
Archive for the 'Star Trek' Category
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Today marks the fiftieth anniversary of the debut of Star Trek, when "The Man Trap", premiered. CBS and Paramount are celebrating the occasion with the release of Star Trek — 50th Anniversary TV and Movie Collection, a set that includes all of the original crew's television, cinematic, and animated adventures, including the first time The Animated Series (TAS) has appeared on Blu Ray.
I already have all the movies on Blu Ray and TAS on standard DVD, so I went with the less expensive and redundant option of purchasing just TOS on Blu Ray in the "Epik Pack", released just this past June. It's not the first Star Trek box set I've added to my library this year: This past April, I purchased Star Trek: The Next Generation's Blu Ray box set. But in the space between buying and watching the TNG set, I unboxed it.
Unboxing is a strange, voyeuristic genre of YouTube video that I don't entirely understand the appeal of — but for my first unboxing of a DVD, I was happy to go all-out, green-screening myself onto the bridge of the Enterprise NCC-1701D while wearing loose-fitting Starfleet pajamas, courtesy Showbits contributor GeneD.
I couldn't unbox TNG and not TOS, so here is my less special effects-laden opening of that set:
I bought this set in time for the release of Star Trek Beyond, which my mom wanted to see in theaters, despite not being familiar with the TOS characters. As quickly as I could, I brought her up to speed with viewings of just two episodes: "Journey to Babel", which introduced Spock's father Sarek; and "The Trouble With Tribbles", which is not only a fun episode but also one that will later tie into Deep Space Nine, should we ever get that far.
Given time, I would've shown her even more TOS episodes — "Space Seed", "Mirror, Mirror", "City on the Edge of Forever" — as well as some of the movies — The Wrath of Khan; The Search fo Spock, The Voyage Home. But time between this box set's release and Star Trek Beyond's was short, so I added only Star Trek (2009) to our viewing schedule.
The Original Series is unique in being the only live-action Star Trek I've not seen every episode of. For example, I'd never seen "Journey to Babel" and was impressed how much of Spock's lore I recognized from the 2009 movie — I didn't realize just how respectful the scriptwriters and director were to the source material. My mom prefers TNG, but it was fun to watch some TOS with her, especially since TNG can't give us the experience of both of us seeing something for the first time.
Still, now that we have this set in hand (and unboxed!), perhaps we'll sneak in some classic episodes every now and then — especially so as to better familiarize ourselves with the era of Star Trek Discovery.
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Today is the day Star Trek turns fifty years old. On September 8, 1966 — more than a decade before I was born — Gene Roddenberry launched his "Wagon Train to the stars", forever changing the landscape of television, film, science fiction, and the human imagination.
I'm not doing anything in particular to celebrate this specific day, nor have I gathered with other Trekkies to do so: I didn't attend last month's Las Vegas convention or even last week's New York convention. But it has nonetheless been a Trekful year, with multiple viewings of Star Trek Beyond, rediscovering The Next Generation with my mom, and news of the imminent launch of Star Trek Discovery.
But perhaps the most poignant Star Trek experience I had this year was my July visit to Star Trek: Exploring New Worlds at Seattle's EMP Museum. Founded by Microsoft co-founder Paul Allen, the Experience Music Project Museum temporarily exhibited more than a hundred artifacts from throughout the Star Trek universe: costumes, uniforms, weapons, sets, ships, and more. It was powerful to see touchstones and artifacts from so many memorable episodes and stories made real, removed from their 2D narratives and brought to 3D life. Although I couldn't touch any of them, it nonetheless made me feel closer to both the show and my dad, who introduced me to Star Trek in 1987.
The EMP website doesn't specify how long the exhibit will be running, but I encourage any and all Trekkies to enjoy it while they can — it's the next best thing to the Star Trek Experience that ran at the Las Vegas Hilton 1998–2008. In the meantime, please enjoy my photos from the exhibit.
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Last month saw the release of Star Trek Beyond, the third film in the JJ Abrams / Kelvin / Handsome universe that began with the 2009 reboot and continued in 2013 with Star Trek Into Darkness. Although I was excited for any new live-action media in the Star Trek franchise, I wasn't sure what to expect from this outing. The 2009 film was a welcome and necessary update to the formula, while the 2013 film was mired in too many weird plot devices and allusions. With a new director and scriptwriter, the latter including Simon Pegg ("Scotty"), would Star Trek Beyond prove a fitting closure to what was originally intended to be a trilogy?Yes. Star Trek Beyond was utterly delightful, with a perfect mix of action and character moments. While the 2009 film may've been decried as being too heavy on action, Star Trek Beyond bookends with intense, concentrated action sequences, leaving the middle of the story to focus on pairs of characters: Kirk and Chekhov, Scotty and Jaylah, Spock and Bones, Uhura and Sulu. There was none of the stereotypes or pettiness we saw in Star Trek Into Darkness, instead allowing the characters to demonstrate genuine introspection, growth, and camaraderie.
Whereas I used this blog to dissect the previous two Star Trek films in prose, for Star Trek Beyond, I took to the air with my friend Sabriel Mastin, the only person I know who can out-recollect me on any Star Trek series. We co-opted Polygamer, my biweekly audio podcast about equality and diversity in games, to produce a bonus episode in which we reviewed and raved about the movie. Give it a listen:
On a personal note, I saw Star Trek Beyond opening weekend with the KansasFest 2016 crew. Conspicuously missing was my father, who had passed away just a few months earlier. He's the one who got me into Star Trek in the first place, and we'd seen the last six films together in theaters. It was tough to sit through this film without him… but a week later, I saw the movie again with my oldest brother and our mom, for whom this was her first theatrical Star Trek outing. Although she's not as mired in Trek lore as some, she nonetheless found the film exciting to watch and was glad she went.
There's talk of a fourth film with this crew (though sadly, without Chekhov, in memory of the late Anton Yelchin; and without Ambassador Spock, in memory of Leonard Nimoy). I'm eager to spend the intervening years continuing to bring my mom up to speed in time to better enjoy the Enterprise's next voyage!
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A year later, I bought my first Blu-Ray player and began lusting after a new prize: The Next Generation in high definition. I blogged at that time about the significant work the studio had done to remaster this classic television series, and theatrical screenings of highlights of each updated season were proof that my dusty old DVDs fell short. I sold the old box set to a friend last fall but left its space open on my shelf for a high-def replacement.
The only thing keeping me from buying the complete series (again) was that each of the seven seasons was available individually only; there was no box set collecting the entire run at a more affordable price. Such a set was announced just yesterday: Star Trek: The Next Generation — The Complete Series: Epik Pack launches on June 7 for $208.99.
But I didn't know that a month ago, which is when I felt the itch to splurge. Some online searches unearthed an alternative to waiting for a domestic release: Amazon.co.uk sells a complete box set of region-free Blu-Ray discs for only £66, or roughly $100 USD including shipping. Such a deal! I was sold.
I grew up watching Star Trek: The Next Generation with my father; this box set, ordered while he was still alive, arrived two weeks later, the day after his funeral. Rather than being a melancholy reminder of our time together, it's serving as the surprising foundation for a new relationship: my mother has now expressed an interest in discovering Star Trek, which she never paid much attention to before. I thought I'd lost my Star Trek buddy and am astonished and thrilled to find I have a new partner with whom to share these voyages. Her introductory episode was "The Inner Light", after which we're going back to the first season and progressing chronologically through these episodes that focus on human-interest stories:
— Ken Gagne (@gamebits) March 28, 2016
This box set was a perfect purchase at a time it was most needed. I look forward to boldly going through my first Star Trek, seeing it as never before, sharing it for the first time with my mom.
Filed under Fade to Black, Star Trek; Comments Off on In Memory of Leonard Nimoy
It's been hard to come to terms with the passing of Leonard Nimoy, the actor who brought Star Trek's half-Vulcan science officer to life and created a cultural phenomenon that would persist for generations — including within my own family.
My father introduced me to Star Trek when The Next Generation premiered in 1987. At that age, I didn't understand that different people led different lives, and I went to school the next day thinking all my classmates had watched it, too. I spent my recess talking about Star Trek to anyone on the playground who would listen, nonplussed when they weren't as excited as I was. It wasn't until years later that I learned of IDIC — Infinite Diversity in Infinite Combinations: that differences are to be not just tolerated, but celebrated. Decades after discovering Star Trek, I've grown deeply curious about those differences, interviewing people every week to learn about their lives and experiences, so that I never again make that same lunchtime assumption I did in second grade.
My earliest memory of Leonard Nimoy was watching Star Trek: The Motion Picture on VHS with my family. When Spock first beams aboard the Enterprise, whereas Kirk and McCoy are happy to see him, Spock is unmoved by seeing his old crewmates. I asked my parents what was wrong with him, and rather than try to explain the alien suppression of emotions, they just said that Spock didn't remember his friends.
But Vulcan's emotions run deep and hot: they feel everything humans do, even more so, which is why they can't allow themselves to be ruled by their feelings, lest they run amok. I was raised in a family that did not celebrate such passions, so, like Spock, I kept mine reined in. I learned the hard way that it's better to embrace one's humanity… something that Spock at times struggled to understand himself.
— someecards (@someecards) February 27, 2015
Spock wasn't the only one with an identity crisis. I'm too young to remember Nimoy's efforts to break typecasting, which may be for the best: while I try to acknowledge actors' lesser-known works, Nimoy was always Spock to me. And unlike some actors who fade from the limelight, Nimoy always seemed to be doing something special, whether it was as silly as a Priceline commercial, as fun as directing Three Men and a Baby as invisible as voicing a Transformers villain or narrating a video game, as meaningless as singing a silly song, or as meaningful as advocating for diversity in body types. While I may've believed Spock had forgotten his friends, it was impossible for us to forget Spock. It felt like Leonard Nimoy would always be there; waking up on Saturday to a world without him was hard.
I never got to meet Leonard Nimoy. The closest opportunity I had was a Boston convention in November 2009, but I was at a Star Wars concert narrated by Anthony Daniels instead. It was a similar venue in which I did finally see Leonard Nimoy, though: he narrated the Boston Pops' "Out of This World" concert this past May. No one in the audience, least of all me, imagined it was Nimoy's last May in his final trip around the sun.
That concert was a homecoming for Nimoy, being born and raised right in the heart of Boston. He often lent his sonorous voice to his hometown, narrating not just the Boston Pops but also the Boston Museum of Science's Omni Mugar theater. As a student and teacher, child and adult, I've been to the MoS many times; Leonard Nimoy is my earliest memory of it.
Now all we have are memories and Nimoy's exhaustive library of art. There have been and will be other Spocks, of course — most notably Zachary Quinto, but also other incarnations across many fan films, and the continuing voyages of the starship Enterprise in novels and other media. But there never will be another Leonard Nimoy.
It's been less than a week, and I miss him already.
I may not have properly expressed or acknowledged, even to myself, Nimoy's importance. I've been going to Apple conventions my entire life, but it wasn't until 2013 that I attended my first Star Trek convention. But both Apple and Star Trek have been fundamental in informing my outlooks and philosophies.
Celebrities aren't my only heroes, but celebrities can help me get to know my heroes. Star Trek is something I've shared with my father ever since TNG's debut. We've been at the opening night of each of J.J. Abrams' Star Trek movies. I hesitantly mark our time together by these milestones, knowing that the same COPD that claimed Nimoy now stalks my father. As a friend of mine recently put it, "Time will take all the people I look up to."
But we are fortunate to have had Leonard Nimoy grace us for 83 wonderful years. From wherever he came, he has returned. We salute him and his many contributions to art, science, and humanity. Thank you for so many adventures and missions.
Hailing frequencies closed.
— Andy Marlette (@AndyMarlette) February 27, 2015
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This past June, I attended my first Star Trek convention.
"WHAT?!" you say. "You've been a Trekkie since TNG debuted in 1987, and you've never attended a con?! What's wrong with you?!"
For one, there hasn't been an abundance of Star Trek conventions in Boston, at least not that I've been aware of. Two, I've traditionally gotten my Star Trek celebrity fix at Super Megafest, where I've had the honor of meeting Patrick Stewart, Jonathan Frakes, Brent Spiner, and Marina Sirtis. Three, I wasn't really sure what a Star Trek convention would consist of. Video game conventions like MAGFest or PAX East have panels, workshops, seminars, and speeches on topics from programming to gamification to gender representation to crowdfunding. I didn't imagine that a Star Trek convention would boast such variety.
But when Creation Entertainment brought to Boston a convention featuring almost the entire Next Generation cast — only Stewart, Frakes, Diana Muldar, and Wil Wheaton would be absent — as well as actors from TOS and DS9 (though none from Voyager, Enterprise, or the new movies), I knew it'd be worth at least the short trek into Beantown.
As it turned out, my expectation of the con agenda's homogeneity was right on the mark. Other than a costume contest, every session was dedicated solely to celebrity Q&A, with almost no preamble, presentation, or even moderation — the actors simply took the stage and immediately turned to the audience for topics. Almost no actor appeared alone, instead being paired with someone with whom they shared screen time, such as Michael Dorn with Suzie Plakson (Worf and K’Ehleyr), Brent Spiner with Gates McFadden (Data and Beverly Crusher), and Rene Auberjonois with Nana Visitor (Odo and Kira Nerys). The questions were fun, ranging from personable ("What was it like working with so-and-so?") to technical ("Why doesn't the Prime Directive apply to a planet's flora as well as its fauna?"). My favorite line was from someone who had done his research, who presented this fact to Dorn: "We watched every episode of TNG, and the number of times the captain took one of Worf's suggestions in seven years was only once!" The audience roared to learn what a pansy our favorite Klingon was.
The best panel was Saturday night, when Brent Spiner, LeVar Burton, Gates McFadden, Michael Dorn, Marinia Sirtis, and Denise Crosby all shared the stage while ostensibly being moderated by William Shatner. From the camaraderie exuded by the crew, it was easy to imagine the show was still on the air, with everyone working together every day and having bonded into a family. At one point when discussing an issue of diversity, Shatner said, "Let's ask our resident black person." Dorn appeared ready to speak as Shatner turned and, pointedly ignoring the Klingon, asked, "LeVar?" Dorn immediately clammed up, got up from his chair, walked to the corner of the stage, folded his arms, and pouted. Only a hug from Burton brought him back to the group. My co-attendee Gene related more anecdotes from this panel in his blog.
The auditorium in which these panels were held, part of the Hynes Convention Center, was massive, seating thousands of people. Although some seats were better than others, there was never concern about not getting into a panel, unlike the massively overcrowded Super Megafest.
As fun as these hour-long sessions were, I preferred the one-on-one interaction offered by autograph sessions, no matter how brief. I got to tell Michael Dorn that I had backed his failed Kickstarter project for the movie Through the Fire. He reflected that fans can be rabidly loyal, but only within a genre, as he found when trying to crowdfund his romantic comedy. I was going to tell Gates McFadden that I'm a fan of her photography with her Beverly Crusher action figure, but she beat me to it when she saw me pick up her business card advertising exactly that exploit, telling me I should check it out. I told LeVar Burton how much I enjoyed the PBS music remix of Reading Rainbow. There was surprisingly no line for Denise Crosby, who was an absolute sweetheart. I reflected how surprised I was that they actually killed off her Lois & Clark character — "Denise Crosby always comes back!" I insisted. When I asked her to make the autograph out to Ken, she said, "A name I know well — my husband's name is Ken." I quipped, "You have excellent taste." She actually had to put down the pen for a moment while she laughed.
All of the above happened on Saturday, and I would've had my fill then, except that the DS9 actors I wanted to meet were attending Sunday only. After a power outage delayed opening of the convention hall that morning, I got in to meet Nana Visitor. I thanked her for portraying the strong yet nuanced female character of Kira. She demurred, "That's just the way she was written." Still, I thanked her for bringing the character to life, though I neglected to suggest how different the show would've been with Michelle Forbes. I also commented how surprised I was to see Visitor appear on the news not for her acting work, but as a person on the street affected by Hurricane Sandy. She laughed, acknowledging that of course she'd be caught on TV without any makeup on!
I got Visitor's autograph twice: once for myself, and once for a friend's daughter (who I described as my niece), who had just started watching DS9 as her introduction to Trek. Visitor asked how old my niece is, and I guessed (correctly!) eight, which gave her pause — DS9 is pretty dark for such a young person to be watching. But it's how old I was when I started with TNG, and we all have to start somewhere!
Next in line was Rene Auberjonois, who earlier in the day had been selling simple line drawings of Odo's bucket in exchange for a donation to Doctors Without Borders — a worthy cause, but I wanted the standard 8"x11" autographed glossy. When he started signing my photo, I asked him to make it out to my first name. "Well, Ken," he hesitated, "here's the deal: I'm personalizing autographs only if you make a $5 donation to Doctors Without Borders." Given that I'd spent almost all my money on other autographs and had already spent $25 to get this far in Auberjonois's line, I felt a bit ambushed. Had this surcharge been advertised sooner, or if the autograph had been $5 less, I might not have been so caught off-guard. Fortunately, when I emptied my wallet on the table, showing him the only $4 I had, he accepted that donation. I made up the difference and then some when I got home, as again, it's a great cause, and I admire Auberjonois for lending his celebrity status to it — I just thought the delivery could've been better.
The last treat of the weekend were the photograph opportunities, which are sold separately from the autograph sessions. If you want to drop a ton of money very quickly, autographs and photographs are the way to go. Photographs ranged from $80 (William Shatner) to $40 (almost everyone else), and autographs were $90 (Shatner again) to $20 (Suzie Plakson). Not rich enough for your blood? A single photo with Shatner and the entire TNG panel he moderated was $379 — oof! The saving grace is that these prices are valid for one or two guests in the same photo, and my cohort Gene invited me to share the stage with (and expense of) LeVar Burton and George Takei. I appreciated his generous offer and graciously accepted!
I enjoyed my first Star Trek convention, but although I can imagine many other sessions and topics it could offer, I'm hardpressed to imagine that this con's 2014 return to Boston will be much different from the 2013 event. I'd like to eventually collect autographs from the entire TNG cast — I'm currently missing only Wil Wheaton and Diana Muldar, and their attendance would lure me back. I'd also like to meet more actors from the three post-DS9 shows, as well as some of the shows' directors, producers, and writers. The Boston con featured Morgan Gendel, author of award-winning TNG episode "The Inner Light", but how about getting Rick Berman, Brannon Braga, Manny Coto, or Judith and Garfield Reeves-Stevens?
Every Star Trek fan should attend at least one convention in her or his life. I can now say that I've attended mine!
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Four years after J. J. Abrams rebooted Gene Roddenberry's original television show, the youthful crew of the original NCC–1701 have again taken to space in Star Trek Into Darkness. As is now our tradition, my father and I attended the film's opening night. Two hours later, I left the theater feeling a way no other movie had ever left me: overwhelmed. The layers, implications, and consequences of the Enterprise's latest mission are too complex to be boiled down into a simple recommendation. Although I do wholeheartedly recommend this film, it's not enough to say that it's a good film, as it's much more than that.
I'd walked into the movie having successfully avoided all trailers, teasers, rumors, and revelations. I cannot promise I will do the same in this review, so proceed with caution. For example, the latest trailer has a single word that would've ruined for me the identity of the antagonist, which some might consider an already poorly kept secret — but even as I watched the film, I was never sure of myself right up until the big reveal. It would be impossible to comment on the film without including that moment.More broadly than those specifics, it's important to first acknowledge that this is no longer Roddenberry's Star Trek. Some have criticized Abrams for dumbing down Star Trek from its ideological origins into a generic action-packed blockbuster. But with these two films, Star Trek has undergone a natural evolution from philosophy defined to philosophy realized. Star Trek is no longer about debates around tables and in turbolifts, as it so often was in The Next Generation, a series I adored. Now it is about making difficult decisions in the heat of the moment — and dealing with the consequences. The most talkative we see this crew of the Enterprise is Kirk's confrontation with Scotty, which does not go the way either Scotty or the audience expected; the look on his face says, "Did we really just pull the pin on this grenade?" Other conflicts, such as Uhura and Spock's spat, seem almost comically timed and forced. But even these moments move the story and the characters forward through challenging times. Just because the set has moved from a conference room to the heat of battle does not make the decisions any less difficult.
That gravity is carried by the excellent acting of the cast. Although the credits list the actors in alphabetical order, implying an ensemble cast, it is very much Kirk and Spock's show. Most everyone else gets their chances to shine: Scotty is integral to the plot; Bones and Uhura have some fantastic scenes; and Sulu's moment in the spotlight is the first time I've seen a hint of the man who will eventually captain the U.S.S. Excelsior. Chekov, unfortunately, is mostly wasted in this episode, serving as a poor substitute for Scotty. But the movie is ultimately about Kirk and Spock's friendship and their diametrical approaches to situations, as indicated by McCoy's answer to Kirk's early question, "If you were here, Spock, what would you do?" The returning cast is joined by Alice Eve (Men In Black 3) as Carol, Peter Weller (RoboCop) as Admiral Marcus, and Benedict Cumberbatch (Sherlock) as John Harrison.John Harrison? Yes, that is the name of our villain, at least at first. His early act of terrorism was brutally unwelcome here in Boston, where we had just suffered a similar tragedy. From there, his actions are pettier than I'd expect. His escape to the Klingon homeworld gave us a first glimpse at this re-imagined alien race, but they are otherwise a red herring. Harrison was neither conspiring with them nor enticing the Enterprise into a war with them. Given those missed opportunities, what was he going to do on Qo'noS — hide? It seems an unfitting and unambitious fate for the tyrant he eventually reveals himself to be. Had he succeeded, we might once again have had a movie where Kirk and Khan never come face-to-face — a missed opportunity from the 1982 film, finally realized in 2013. Cumberbatch's character is one of the film's many ties to the known Star Trek timeline. Another is Section 31, the brief mention of which elicited a gasp from this long-time fan. It indicates a familiarity with Star Trek lore, both the unaltered timeline that precedes Nero's incursion — Section 31, although introduced in Deep Space Nine, was alive and well in the age of Captain Archer — and the implications of what it could become in the future. The same occurs with the introduction of Carol Marcus: her introduction to Kirk produced little unique chemistry, but we know what it could become.
But no character, alien, or organization carried as much weight as a scene revisited from The Wrath of Khan. Kirk's rescue of the Enterprise came so suddenly that, when I realized what was happening, it hit me like a ton of bricks. "Not again!" I despaired. Leonard Nimoy's Spock had just said that Khan was defeated "at great cost" — a heavy statement: how many people can reflect on their own deaths, then be chilled by the knowledge that their murderer has risen from the grave? Now here we are, seeing it happen again, this time with Kirk as the human sacrifice. The captain who'd started the film with the proud proclamation of having never lost a member of his crew had more than a perfect record in mind; the agony with which he had, moments ago, apologized to the bridge for what he thought was their ultimate defeat was palpable. Kirk cares for every member of his ship as much as he cares for Spock — the latter being a friendship that is no less weighty for having been witnessed across only two films instead of two decades, as it was the last time Khan threatened the Enterprise. Kirk bookends the film by saving Spock's life, and the evolution we see is in Spock's reaction: from a detached betrayal of his captain to Starfleet, to a vengeance-fueled hunt his friend's killer. Through Kirk's selflessness, Spock has gotten in touch with the best and worst of his own humanity.This scene, combined with using Khan as the film's protagonist, may suggest an unoriginality among the scriptwriters. Four years ago, Khan seemed the least likely candidate for the sequel, lest Abrams walk the same cinematic path laid out in decades past. But critics clamoring for this new generation of Star Trek to go on an original adventure need look only four years to the past, when the Romulan Nero arrived on the scene.
By contrast, this sequel is not a rehashing of an old plot but rather a brilliant exploration of destiny. How much of these characters' fates are their own to decide? Are Kirk and crew destined to always clash with Khan, no matter how much the circumstances may change? Just how far-reaching are the effects of Nero's destruction of Vulcan? The exhumation of the SS Botany Bay is a small change with dramatic consequences. Will the next film continue referring to the pivotal moment in time when a villain from the future set a new course for the galaxy?
With the full weight of Star Trek's history behind this movie, it is hard for me to say if this sequel is as much meant for a general audience as the 2009 reboot was. You can get away without knowing what Section 31 is, or who Carol Marcus becomes — but is Khan a good villain on his own merits? There is no reference to the Eugenics Wars, which may be too much backstory for one film to deliver, lest it become the preachy Trek it is trying to move away from. Not only his origin, but also his ambition, may be lost on an audience that is not as likely to respond to Khan's identity with "Holy crap!" than they are with "Who?"For those filmgoers who take this film as just another summer blockbuster, there's still plenty to enjoy on just that level, and plenty to gripe about, too. As with any Trek (or even sci-fi in general), there are plenty of plot holes and technological inconsistencies. Some were elegantly addressed: when I wondered how Khan could beam himself to Qo'noS, they tied back into the 2009 film with a reference to Scotty's transwarp beaming technique, a direct result of Nero's temporal incursion. But then the question becomes: why send the Enterprise to Qo'noS when they could just beam there? Of course, the choice to plot a course into enemy territory furthered Admiral Marcus' agenda, but it still seems an oversight. Also, I think the film may've addressed this, but is within an explosive device the smartest place for Khan to have hidden his family? And, even if the Eugenics Wars was two hundred years ago, shouldn't at least one member of Starfleet have studied enough history to recognize the leader of the Augments? Or was plastic surgery part of Khan's transformation into John Harrison, that he might work alongside Section 31 without revealing the depths to which Admiral Marcus had plumbed for inspiration?
Still, most other scenes can be neatly explained. Marcus sharing the secret of Section 31 with Kirk seemed a faux pas, but I suspect Marcus never expected Kirk to come back from his next mission, taking the truth of the clandestine group's existence to his grave. The explosion of the 72 torpedoes first seemed heartless and cruel, especially given McCoy's involvement — what happened to "First do no harm"? When Kirk learned that the Augments had been extracted, his response took the words right out of my mouth: "I'll be damned." And the use of Khan's blood to save Kirk (which has its own implications for the future of Star Trek — is there anything Augment blood can't cure?) was foreshadowed not only by the tribble's resurrection, but also by the cure for the diseased girl, which was likely a dose of the same elixir. And sure, we knew Kirk wouldn't die, not so early in Pine's career in the role. But if only the admirable Pike had been afforded so heroic a death, or at least the peaceful one we can assume he was granted in the original timeline, rather than gunned down in cold blood — even if the latter was necessary to provide Kirk the drive to go after Harrison.
Whatever level you view this film on, it has special significance for its core audience. For someone who has seen all 726 episodes and 12 movies and read dozens of novels of Star Trek, I cannot take what J.J. Abrams has done here lightly. It is a powerful combination of fan service and creative license — a message of "I will use what you like, but you may not like how I use it." I almost cannot render judgment without seeing what comes next. Will Abrams continue to rely on the familiar, remixing it in unexpected ways? Or will he contribute something wholly original to the Trek universe? In a sense, he has already gone boldly, with his direction and pacing of this action-packed sequel. What more lies far beyond the stars for the Enterprise and her fans to discover?
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Star Trek celebrities have been long sought after to endorse a variety of products, from William Shatner pitching Priceline and DirectTV to Jonathan Frakes hawking enterprise software. The connection between Star Trek and the product being sold can be tenuous or non-existent, but a savvy director and clever script can nonetheless make the most of their actors' heritage.
With the release of Star Trek Into Darkness just a week away, we're seeing a new spate of advertisers timing their tangential promotions to coincide. Car insurance company esurance collaborated directly with the team at CBS and Paramount to get their hands on the 2009 film's set and shoot a short encounter on the bridge of the U.S.S. Not Enterprise:
Opting away from a Star Trek setting and instead relying on known actors, Audi has created a car commercial that pits the two Spocks in a race to the golf club:
Leonard Nimoy's the real star here, working in references not only to Star Trek II: The Wrath of Khan but to his singing career. He also proves that he's a far more experienced Vulcan than young upstart Zachary Quinto, who still has much to learn!
For those of us who have been avoiding spoiler-laden summer movie trailers, these commercials are fun little doses of original content bases on our favorite spacefaring franchise. Still, they're no substitute for the real thing. See you next week!