Showbits

Today marks the fiftieth anniversary of the debut of Star Trek, when "The Man Trap", premiered. CBS and Paramount are celebrating the occasion with the release of Star Trek — 50th Anniversary TV and Movie Collection, a set that includes all of the original crew's television, cinematic, and animated adventures, including the first time The Animated Series (TAS) has appeared on Blu Ray.

I already have all the movies on Blu Ray and TAS on standard DVD, so I went with the less expensive and redundant option of purchasing just TOS on Blu Ray in the "Epik Pack", released just this past June. It's not the first Star Trek box set I've added to my library this year: This past April, I purchased Star Trek: The Next Generation's Blu Ray box set. But in the space between buying and watching the TNG set, I unboxed it.

Unboxing is a strange, voyeuristic genre of YouTube video that I don't entirely understand the appeal of — but for my first unboxing of a DVD, I was happy to go all-out, green-screening myself onto the bridge of the Enterprise NCC-1701D while wearing loose-fitting Starfleet pajamas, courtesy Showbits contributor GeneD.

I couldn't unbox TNG and not TOS, so here is my less special effects-laden opening of that set:

I bought this set in time for the release of Star Trek Beyond, which my mom wanted to see in theaters, despite not being familiar with the TOS characters. As quickly as I could, I brought her up to speed with viewings of just two episodes: "Journey to Babel", which introduced Spock's father Sarek; and "The Trouble With Tribbles", which is not only a fun episode but also one that will later tie into Deep Space Nine, should we ever get that far.

Given time, I would've shown her even more TOS episodes — "Space Seed", "Mirror, Mirror", "City on the Edge of Forever" — as well as some of the movies — The Wrath of Khan; The Search fo Spock, The Voyage Home. But time between this box set's release and Star Trek Beyond's was short, so I added only Star Trek (2009) to our viewing schedule.

The Original Series is unique in being the only live-action Star Trek I've not seen every episode of. For example, I'd never seen "Journey to Babel" and was impressed how much of Spock's lore I recognized from the 2009 movie — I didn't realize just how respectful the scriptwriters and director were to the source material. My mom prefers TNG, but it was fun to watch some TOS with her, especially since TNG can't give us the experience of both of us seeing something for the first time.

Still, now that we have this set in hand (and unboxed!), perhaps we'll sneak in some classic episodes every now and then — especially so as to better familiarize ourselves with the era of Star Trek Discovery.

Today is the day Star Trek turns fifty years old. On September 8, 1966 — more than a decade before I was born — Gene Roddenberry launched his "Wagon Train to the stars", forever changing the landscape of television, film, science fiction, and the human imagination.

I'm not doing anything in particular to celebrate this specific day, nor have I gathered with other Trekkies to do so: I didn't attend last month's Las Vegas convention or even last week's New York convention. But it has nonetheless been a Trekful year, with multiple viewings of Star Trek Beyond, rediscovering The Next Generation with my mom, and news of the imminent launch of Star Trek Discovery.

But perhaps the most poignant Star Trek experience I had this year was my July visit to Star Trek: Exploring New Worlds at Seattle's EMP Museum. Founded by Microsoft co-founder Paul Allen, the Experience Music Project Museum temporarily exhibited more than a hundred artifacts from throughout the Star Trek universe: costumes, uniforms, weapons, sets, ships, and more. It was powerful to see touchstones and artifacts from so many memorable episodes and stories made real, removed from their 2D narratives and brought to 3D life. Although I couldn't touch any of them, it nonetheless made me feel closer to both the show and my dad, who introduced me to Star Trek in 1987.

The EMP website doesn't specify how long the exhibit will be running, but I encourage any and all Trekkies to enjoy it while they can — it's the next best thing to the Star Trek Experience that ran at the Las Vegas Hilton 1998–2008. In the meantime, please enjoy my photos from the exhibit.

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Star Trek has long been known for its technobabble — a quantum fissure ruptures space-time and is sealed by reversing the polarity and emitting a tachyon pulse from the deflector dish — but occasionally, its cast is concerned by dilemmas as low-tech as the equipment used to make the show. This was especially true of TOS, which once pitted Captain James T. Kirk against a slow-moving lizardman:

A cannon fashioned from bamboo, charcoal, sulfur, and diamonds? That's simply not feasible… or is it? The Discovery Channel's cult favorite, Mythbusters, tackles this classic scenario next Monday, December 28, at 9 PM. Here's a preview:

Poor Gorn. The lizardman had only the best of intentions:

For more of Captain Kirk's ham-fisted battle strategies, check out the independent film, The Kirkie.

(Hat tips to Dayton Ward, SCI FI Wire, and SciFi Diner Podcast)

With still six months to go, Star Trek XI has already traveled a long road. The intention to develop the property was announced in April 2006, with the first poster coming out in June of that year. JJ Abrams (Lost, Alias, Mission Impossible III) signed on to direct in February 2007, and filming began in November 2007, with a wrap date of March 2008. The film-footage-free teaser trailer was released before Cloverfield in January 2008, back when we thought we'd be revisiting Roddenberry's future as early as this Christmas.

Now, with less than half a year until the May 8th release, the veil of secrecy under which the Star Trek reboot has until recently been conducted provides us with our first significant glimpse of what awaits in the form of this full-length trailer:

I was sorely tempted to not indulge in this trailer at all; if its purpose is to sell me on the film, then its very existence is superfluous. Why not leave that many more surprises until its silver screen debut?

But I'm glad I watched it, and gladder still that it is completely spoiler-free. Almost nothing of the plot or obstacles are revealed, leaving us instead with a more general look of the actors and their environment. I confess that even that little is not what I expected. The Enterprise has always faced the final frontier with a sense of wonderment, though here we find it in not the seasoned and mature crew of TOS, but a younger and less experienced crew. As a prequel, that only makes sense, but I worry that too much rebellious angst will fill the film, as suggested by the conflict between Kirk and Spock. Also, seeing Kirk on two classic means of locomotion lends an even lower-tech feeling than its temporal predecessor, Enterprise.

Other than these minor points, I have a surprisingly nondescript reaction. The fast-paced nature of the trailer left little opportunity to assess the characters in their roles, or even to get a good look at their ship, within or without. I find myself neither more eager nor more anxious about the fate of the franchise; only the final film will allow me that judgment.

A recent article on CNN.com reminded me that the Web holds a bounty of fan films based on the various Star Trek properties. This wasn't necessarily news to me: I'd once tried watching an episode of New Voyages, which aims to continue the five-year mission of the original Enterprise, but couldn't get past the recasting of the original stars. William Shatner's portrayal of James T. Kirk was too engrained in my mind for me to accept anyone else in the role; even in science fiction, suspension of disbelief has its limits.

But to see on CNN that this series won TV Guide's 2007 Online Video Award for Best Sci-Fi Webisodes, chosen over Battlestar Galactica, suggested I should look again. I'd thought the only way to watch New Voyages episodes was via streaming video, which I generally eschew — but poking around their Web site revealed a slightly preferable BitTorrent option. The episode I selected for our reintroduction was "World Enough and Time", written and directed by Marc Scott Zicree (author of "Far Beyond the Stars", possibly my favorite DS9 episode).

Again, I was assaulted by the casting of anyone but Shatner and Nimoy as Kirk and Spock, but this time I persevered. I'm glad I did, as even if the actors didn't nail the parts, I can't blame the writing, which comes across strongly. The sets are on par with the original series (which, despite being 40 years later, is pretty good for a fan film — authentic, too), and the sound effects and CGI are fluidly incorporated.

But the star of the show is none other than George Takei, playing the role of an older Sulu. Rather than looking out-of-place, this temporal anomaly is written into the story in flawless Trek fashion, in the spirit of "Time's Orphan". For this actor to have taken time away from Heroes to so accurately reprise this role for a free Web series speaks volumes of the integrity of both Mr. Takei and New Voyages. Yet newcomer Christina Moses almost steals the show, capturing the awe and innocence of a first-time space traveller with earnest mannerisms and subtle body language. As hard as the recast TOS icons worked, their best role was to frame these two actors' characters and performances. Altogether, the cast and story made every minute of the one-hour episode worth watching.

Looking through the episode list, it appears New Voyages' other offerings are equally star-studded. Story authors include David Gerrold (author of "The Trouble with Tribbles") and Dorothy Fontana (author of "Encounter at Farpoint", "The Enterprise Incident", and more), while among the actors are Walter Koenig as Pavel Chekhov and J.G. Hertzler as Harry Mudd.

The CNN article neglected to make a timely mention of a similar project: Star Trek: Of Gods and Men, which finally debuted today. This feature-length production can hardly be called a "fan film" when you consider its weighty cast: Walter Koenig (Pavel Chekhov), Nichelle Nichols (Uhura), Grace Lee Whitney (Janice Rand), Lawrence Montaigne (Stonn from "Amok Time"), Gary Graham (Ambassador Soval), Alan Ruck (Captain John Harriman), Tim Russ (Tuvok), Ethan Phillips (Neelix), Garrett Wang (Harry Kim), J.G. Hertzler (General Martok), Cirroc Lofton (Jake Sisko), and Chase Masterson (Leeta) — as well as some alumni you won't recognize: Crystal Allen (an Enterprise Orion slave girl), William Wellman (a DS9 Bajoran officer), and Daamen Krall (a voice actor for the Star Trek: Starfleet Academy video game). Even "World Enough and Time"'s Kirk and Spock make appearances in other roles.

This dark, "Yesterday's Enterprise"-style mashup is every Trekkie's dream, though I worried it would've suffered from lengthy delays: the film was originally to be released back in April, and even now, only the first third, weighing in at 26 minutes, is available in low-quality streaming video. (Watch for a higher quality version once opening weekend demand dies down.) But what I've seen so far has me eager for more. These experienced actors are so comfortable in the Trek universe that watching them find new ways to play in it is a win-win for both sides of the camera.

The varying yet surprising quality of these "webisodes" has me looking at J.J. Abrams' pending TOS reboot in a new light. Both "World Enough and Time" and Of Gods and Men have demonstrated that a tight script and a talented cast can deliver an excellent story, regardless of the characters or the setting. But when that promise is exemplified best by Star Trek alumni, as is the case with the above two films, the concept of recasting the characters we know and love becomes a questionable proposition at best. I'm a bit more cautious now about the Christmas 2008 release — but I now know that, thanks to talented fans and actors, I have a wealth of new adventures to tide me over in the meantime.

This month marks a year until the release of Star Trek XI. Fans are so excited over this relaunch of the franchise that they can't wait for the official teaser (rumored to precede next month's Cloverfield) — so they've gone and made their own trailers, of which I think this one is the best:

And before that was a fly-by of a remodeled CGI Enterprise that proved to be cool yet false. Even the rabid paparazzi have gotten in on it by snapping some shots of the supposed Kirk and an Orion slave girl.

My curiosity occasionally gets the better of me, but in general, I'd rather avoid all these grovelling for media scraps. No news, rumor, or trailer is needed to sell me on this film, nor can any dissuade me from seeing it. I'm already sold and would like to see as much of the film for the first time upon its theatrical debut next Christmas. What about you?

[Hat tip to the Trek Movie Report Web site.]

After a week of blogging about Star Trek: The Next Generation, you might get the impression it's my favorite of the Trek series. Even I haven't decided if that honor belongs to TNG or DS9 — but definitely not in the running is TOS.

That's not an indictment of the show's datedness or lack of quality, but more simply a lack of exposure. The Original Series' debut predates my own by a decade, and since it has the least number of episodes of any Trek series and I cancelled my TV service eight years ago, it's simply not something I have much opportunity to watch. But I love the characters and have found that Kirk, Spock, and McCoy make for much more captivating novels than any other crew (especially Voyager's — blech).

Now comes the opportunity to watch The Original Series in a way previously afforded to only The Next Generation: on the silver screen. As a promotion for the November 20th HD-DVD release of Star Trek Remastered, the updated "Menagerie", which features footage from the rejected pilot "The Cage", will be shown in 300 theaters nationwide the evening of Tuesday, November 13th. "The two-hour screening includes a special introduction by Eugene 'Rod' Roddenberry, son of Star Trek creator Gene Roddenberry, plus an exclusive behind-the-scenes look at the making of the Remastered series," says StarTrek.com, which has links to both the press release and theater listings. (Yet another tip of the hat to Dayton Ward)

"The Menagerie" is one of the few episodes I have seen of TOS, but not like this. I already have my tickets and will my calling my father shortly to introduce him to this event, just as he did me to TNG two decades ago. If you've never seen Trek before, this might be the franchise entry point you've been looking for.

This is it: the entire week has been building up to this. Star Trek: The Next Generation turns 20 today, having aired "Encounter at Farpoint" on Monday, September 28th, 1987.

How best to mark this event? What would be an appropriate climax to this week of commemorative blogging? I could reflect on how different my life would be had my father not sat me down to watch the latest iteration of the show he had grown up with. I could analyze the show's cultural impact, or wax poetic about its message of hope and optimism for humanity's future. I could take a serious look at its special effects, its genesis from Star Trek Phase II, or the franchise's future.

But I think the most dramatic impact the debut of two decades ago was on a most beleaguered class: the red shirts.

When TNG debut, it marked a dramatic change in Starfleet's taxonomy: red, previously the shirt color of security and engineering personnel, was now worn by the indispensable command track. Former redshirts the quadrant over breathed a sign of relief to receive their new uniforms, as in the era of the gold-dressed Kirk, a red shirt was the mark of death, with these expendable bodyguards suffering more away team fatalities than any other group. This trend wasn't just a popular misconception born of fear and superstition, either: courtesy StarTrek.com, a recent statistical study proves what an unfair lot redshirts have.

Not everyone appreciates the burden of being a TOS-era redshirt; in fact, some groups are downright insensitive. Courtesy TrekToday comes news of a health care company that promises its clients "the RedShirt Treatment". Independent Health promises that, no matter who you are, when you call, or what your problem is, you're pretty much screwed.

But that's okay, because even though death is final (unless you're Spock, Kirk, Scotty — or even Denise Crosby), Eternal Image will be the last ones to let you down. When you're ready for the final frontier, this Michigan-based funerary company will ensure you receive the honor normally reserved for photon torpedoes: to be buried or cremated in the Star Trek-branded funeral or urn of your choice. (Tip of the hat to Dayton Ward)

Star Trek is a story with powerful lessons for all of humanity. But most of all, The Next Generation offers us hope for change and for a better future — no matter your shirt color. So live long — or die trying!

• T-Minus One Week and Counting
• To Everything, There Is a Season
• Where, Oh Where, Has My Little Spock Gone?
• The Human Condition
• The Voyage Continues
• But Don't Take My Word For It