Showbits

When Star Trek: First Contact premiered, the Boston Herald published a rather incendiary review by James Verniere. Though he was judging the film from the perspective of a non-Trekkie, many of his comments were baseless, such as the utter confusion he experienced over Picard's history with the Borg. Did the film not feature a monologue addressing that very point?

One of Mr. Verniere's more interesting comments was that Star Trek had to stop recruiting from within its own ranks (the film's director was Jonathan Frakes). Why not have Antonio Banderas as an ensign on the Enterprise, he suggested? I presume the critic was trying to expand the franchise's appeal by giving non-Trekkies a point of familiarity by which to be introduced to the series. Though it would be jarring for an established cast to suddenly be joined by an actor known for non-sci-fi work, Mr. Verniere's suggestion proved correct in the appropriate context: the presence of Bruce Greenwood, Winona Ryder, Zachary Quinto, and others didn't detract from but added to last year's reboot of Star Trek: TOS, which provided an entirely new slate on which these actors could gel as a team.

What other celebrities might Star Trek benefit from introducing? We still don't know what's to come in the sequel, slated for release on June 29, 2012 — but we can imagine what it might look like if Nicolas Cage, Summer Glau, and David Tennant joined the ranks of Starfleet, courtesy the Photoshop machinations of Rabittooth.

Several of the stars in this small sampling would surely be scene-stealers; Kevin Spacey warrants nothing less than prime antagonist, for example. But Brandon Routh, whose one leading role as Superman was fleeting enough to allow him to turn in a stellar yet innocuous performance in Scott Pilgrim vs. The World, could be a subtle yet effective addition to any bridge crew.

This isn't the first time non-Trek actors have been inserted into Gene Roddenberry's universe. Alex Luko transposed one show's entire cast onto the Enterprise with a result that left geeks salivating:

I had likened Serenity's crew to the Enterprise's myself so can totally see such a shift of universes as successful.

Who would you like to see in the next Star Trek movie, and why?

Yesterday marked the 25th anniversary of Tron, a film that is so many things to so many people: a milestone of computer animation; a staple of any geek's library; an element in the film studies curriculum I developed; another Jeff Bridges box office bomb. My love affair with this film spans multiple media:

I had to commemorate the anniversary of this cult hit with more than just a marathon session of lightcycling. After reading IGN's interview with Steven Lisberger, Tron's creator, I felt there must be better interview subjects out there.

So I instead got ahold of John Knoll, visual effects supervisor at Industrial Light and Magic. ILM was created by George Lucas for the original Star Wars films and has since gone on to become a powerhouse in visual effects. Mr. Knoll has worked on several of their best films, including Willow, The Abyss, Mission: Impossible, Star Trek: First Contact, the Star Wars prequel trilogy, and the Pirates of the Caribbean trilogy. And somehow, during all that, he found time to invent Photoshop.

On very short notice, Mr. Knoll generously donated a half-hour of his time to speak with me on the subject of Tron, computer graphics, and the industry's evolution over the last quarter of a century. The end result is a very satisfying transcript, even if some notable, general observations didn't make the final cut:

"Even today … filmmakers rely on the special effects to be the only appeal in the movie, and they don't try so hard on the movie because they figure the visuals will carry the film … For those of us who work in the industry, that's not something we encourage. It's just as hard to do the effects on a bad movie as it is the effects on a good movie, and we'd all rather have worked on a good movie."

Continue on to Computerworld.com to read the full interview.

A huge thanks to old LucasArts and ILM colleagues Tom Sarris and Ellen Pasternack, without whom this interview would not have been possible.

Update: the above article has been Slashdotted!