In Memory of Leonard Nimoy

03-Mar-15 8:48 PM by
Filed under Fade to Black, Star Trek; Comments Off on In Memory of Leonard Nimoy

It's been hard to come to terms with the passing of Leonard Nimoy, the actor who brought Star Trek's half-Vulcan science officer to life and created a cultural phenomenon that would persist for generations — including within my own family.

My father introduced me to Star Trek when The Next Generation premiered in 1987. At that age, I didn't understand that different people led different lives, and I went to school the next day thinking all my classmates had watched it, too. I spent my recess talking about Star Trek to anyone on the playground who would listen, nonplussed when they weren't as excited as I was. It wasn't until years later that I learned of IDIC — Infinite Diversity in Infinite Combinations: that differences are to be not just tolerated, but celebrated. Decades after discovering Star Trek, I've grown deeply curious about those differences, interviewing people every week to learn about their lives and experiences, so that I never again make that same lunchtime assumption I did in second grade.

My earliest memory of Leonard Nimoy was watching Star Trek: The Motion Picture on VHS with my family. When Spock first beams aboard the Enterprise, whereas Kirk and McCoy are happy to see him, Spock is unmoved by seeing his old crewmates. I asked my parents what was wrong with him, and rather than try to explain the alien suppression of emotions, they just said that Spock didn't remember his friends.

But Vulcan's emotions run deep and hot: they feel everything humans do, even more so, which is why they can't allow themselves to be ruled by their feelings, lest they run amok. I was raised in a family that did not celebrate such passions, so, like Spock, I kept mine reined in. I learned the hard way that it's better to embrace one's humanity… something that Spock at times struggled to understand himself.



Spock wasn't the only one with an identity crisis. I'm too young to remember Nimoy's efforts to break typecasting, which may be for the best: while I try to acknowledge actors' lesser-known works, Nimoy was always Spock to me. And unlike some actors who fade from the limelight, Nimoy always seemed to be doing something special, whether it was as silly as a Priceline commercial, as fun as directing Three Men and a Baby as invisible as voicing a Transformers villain or narrating a video game, as meaningless as singing a silly song, or as meaningful as advocating for diversity in body types. While I may've believed Spock had forgotten his friends, it was impossible for us to forget Spock. It felt like Leonard Nimoy would always be there; waking up on Saturday to a world without him was hard.

I never got to meet Leonard Nimoy. The closest opportunity I had was a Boston convention in November 2009, but I was at a Star Wars concert narrated by Anthony Daniels instead. It was a similar venue in which I did finally see Leonard Nimoy, though: he narrated the Boston Pops' "Out of This World" concert this past May. No one in the audience, least of all me, imagined it was Nimoy's last May in his final trip around the sun.

That concert was a homecoming for Nimoy, being born and raised right in the heart of Boston. He often lent his sonorous voice to his hometown, narrating not just the Boston Pops but also the Boston Museum of Science's Omni Mugar theater. As a student and teacher, child and adult, I've been to the MoS many times; Leonard Nimoy is my earliest memory of it.

Now all we have are memories and Nimoy's exhaustive library of art. There have been and will be other Spocks, of course — most notably Zachary Quinto, but also other incarnations across many fan films, and the continuing voyages of the starship Enterprise in novels and other media. But there never will be another Leonard Nimoy.

It's been less than a week, and I miss him already.
The Joy of Tech comic… The Federation remembers

I may not have properly expressed or acknowledged, even to myself, Nimoy's importance. I've been going to Apple conventions my entire life, but it wasn't until 2013 that I attended my first Star Trek convention. But both Apple and Star Trek have been fundamental in informing my outlooks and philosophies.


Celebrities aren't my only heroes, but celebrities can help me get to know my heroes. Star Trek is something I've shared with my father ever since TNG's debut. We've been at the opening night of each of J.J. Abrams' Star Trek movies. I hesitantly mark our time together by these milestones, knowing that the same COPD that claimed Nimoy now stalks my father. As a friend of mine recently put it, "Time will take all the people I look up to."
Star Trek Into Darkness opening night

Live long and prosper…


But we are fortunate to have had Leonard Nimoy grace us for 83 wonderful years. From wherever he came, he has returned. We salute him and his many contributions to art, science, and humanity. Thank you for so many adventures and missions.


Hailing frequencies closed.


A New Star Trek for a New Generation

08-May-09 6:32 PM by
Filed under Reviews, Star Trek; 6 comments.

My father with his oldest and youngest sons

My father with his oldest and youngest sons

After years of cautious optimism, this is the week we've long lived and prospered for: the return of Star Trek to the silver screen. Much has changed in the seven years since the last film, including the cancellation of the TV series Enterprise, marking not only the end of a continuous 18-year run for the franchise on the small screen, but also a changing of the guard. A familiar cadre of talent had run Star Trek for decades — into the ground, some would say. The 2009 film, directed and produced by J.J. Abrams and starring mostly unknowns, could either invigorate or distort Star Trek. With my father (who introduced me to the show in 1987) and my oldest brother, we were there for last night's premiere. How did we — dedicated and casual Star Trek fans, young and old — react?

I'll answer for me: The first ten minutes had me in tears. That isn't hyperbole or dramatic effect; it's literal truth. This action-packed opening sequence is so tragic, yet so heroic; and what it does to the Star Trek universe is terrible, yet also elegant and necessary. This film is both a prequel and a reboot, documenting the first voyage of Kirk, Spock, and company — but it's not the same ship and crew we remember from 1966. There are differences, both subtle and profound, which the opening sequence makes possible, thus giving the creative team the leeway they need to make something both fresh and familiar.

Fans will find much to like here, such as in nods to Trek lore that don't feel forced, be it the death of a character or Chekov's accent. But there's more going on here than in the details, such as the recasting of the iconic crew. I found it surprisingly easy to accept fresh faces in roles that we've long identified with particular actors, and these newcomers' performances are mostly true to the characters as originally written, without being mockeries. Sulu, Chekov, and Scotty each get notable scenes; Bones and Uhura, a bit more. But this adventure is really about the young, brash Spock and Kirk. These aren't the older, wiser Starfleet officers we're accustomed to, yet I can imagine Chris Pine's Kirk acting and reacting just as William Shatner's Kirk would've under these circumstances.

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